David Hazeltine Trio – Pearls (2001) [Japan 2018] [SACD / Venus Records – VHGD-273]

David Hazeltine Trio - Pearls (2001) [Japan 2018]

Title: David Hazeltine Trio – Pearls (2001) [Japan 2018]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Hazeltine is one of the most sought after pianists today. He has worked with some of the world’s most respected jazz legends including James Moody, Eddie Harris, Jon Faddis, Joe Henderson, Pepper Adams, Jon Hendricks, and Marlena Shaw. David is known for taking a familiar or unexpected song and making it new, making it his own. He effortlessly transfers this skill from song to stage. Whether he’s composing or interpreting, accompanying or leading, you are certain to end the set remembering the sounds of David Hazeltine.

David Hazeltine is one of a handful of contemporary pianists who has mastered all of the major musical skills, from improvisation and technique, to accompaniment, arranging, and composition. Even more impressive, David is the rare artist able to innovate in each category. Thus it’s no surprise that he’s the most recorded contemporary jazz pianist of our time, having recorded thirty five cd’s as a leader and hundreds more as a sideman, on various major labels globally. The mark of a true artist, David’s style appeals to a wide range of musical tastes and levels of sophistication. His melodies and harmonies are beautifully complex and memorable. As a composer and instrumentalist, he has developed a signature style that is readily recognizable. His cooperative group “One For All” featuring tenor great Eric Alexander, has attained critical acclaim with their impressive 16 cd discography, and live concerts worldwide including appearances at the North Sea Jazz Festival and the Newport Jazz Festival. A Milwaukee native, David was playing the clubs as a preteen, and before he’d even come of age he was already grabbing the attention and respect of jazz legends like Sonny Stitt, and Chet Baker. They urged him to make the move to New York City, which he did in 1992.

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2 min read

David Hazeltine Trio – Cleopatra’s Dream (2006) [Japan 2015] [SACD / Venus Records – VHGD-86]

David Hazeltine Trio - Cleopatra's Dream (2006) [Japan 2015]

Title: David Hazeltine Trio – Cleopatra’s Dream (2006) [Japan 2015]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

David Hazeltine is one of the best pianists and arrangers of our time. For a while now he has been releasing albums dedicated to specific musicians and composers. For Cleopatra’s Dream, Hazeltine performed compositions by the legendary Bud Powell. For most pianists, it would be a formidable task to rework Powell’s compositions as he was a respected guitarist who could play the instrument as well as anyone. Hazeltine wildly succeeds by not trying to ape Powell’s unique style but rather by bringing out the elegant melodies and tenderness of the compositions. George Mraz on bass and Billy Drummond on drums provide exceptional support and add dazzling solos. The title of Hazeltine’s only composition on the album says it all: “This One’s for Bud”.
The capable New York City-based pianist David Hazeltine dives head first into the music of Bud Powell on these 2005 sessions with veteran bassist George Mraz and drummer Billy Drummond. His straight-ahead interpretation of “Tempus Fugit” is full of energy yet without the quirky stop-and-go flavor of many recordings. “Wail” is a light-hearted affair, while the trio saunters through an easygoing take of “Bouncing with Bud.” Hazeltine’s dexterity is put to the test with a brisk rendition of “Dance of the Infidels,” while his lyrical approach to the ballad “I’ll Keep Loving You” also merits praise. Some of Powell’s less frequently performed numbers are also explored, including the playful “Danceland” that showcases Hazeltine’s partners at length, along with a breezy Latin-flavored setting of “Cleopatra’s Dream”. The disc wraps with “This One’s for Bud”, a fine salute to Powell by the pianist.

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2 min read

David Hazeltine Trio – Alice In Wonderland (2004) [Japan 2014] [SACD / Venus Records – VHGD-35]

David Hazeltine Trio - Alice In Wonderland (2004) [Japan 2014]

Title: David Hazeltine Trio – Alice In Wonderland (2004) [Japan 2014]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

David Hazeltine, in the tradition of Parker, works within and across the constrains of bebop, and arcs toward the aesthetic of consonance rather than dissonance: reaching toward beauty in harmony, melody, rhythm and never straying too deeply from his roots. He is particularly influenced by Parker, Rollins, Bud Powell and early Miles Davis. Although seemingly hard-line about the tradition, Hazeltine has done an impressive amount of innovation and is a gifted arranger and composer. On this, Japan only release, Hazeltine is joined by George Mraz on bass and Billy Drummond on drums. Today a major pianist in the New York and Japan scenes, David Hazeltine has been playing gigs since he was thirteen. He did not seriously consider going into music until right before college. Once he entered into the jazz world he was encouraged by Chet Baker who told him to go to New York. He has played and recorded with Jon Hendricks, Louis Hayes, and One for All. Although he is a pianist he feels more influenced by saxophonists, particularly Charlie Parker.
David Hazeltine evidently salutes pianist Bill Evans on this Venus release, as eight of the nine songs were recorded by Evans for Riverside and the late pianist’s influence is definitely a part of Hazeltine’s style (though the Japanese liner notes make it difficult to confirm for sure). Accompanied by two sympathetic musicians, bassist George Mraz and drummer Billy Drummond, Hazeltine’s interpretations of standards like “Beautiful Love,” “Alice in Wonderland” and “When You Wish Upon a Star” are lyrical and to the point. The lively setting of “How Deep Is the Ocean” and loping treatment of “Tenderly” also merit praise. Hazeltine’s sole composition is “For Bill”, a fluid piece that is also reminiscent of Bill Evans’ approach to the piano and writing. Summary is a beautifully recorded album!

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2 min read

David Honeyboy Edwards – Shake ‘Em On Down (1999) [APO Reissue 2000] [SACD / APO Records – APO 2010 SA]

David Honeyboy Edwards - Shake 'Em On Down (1999) [APO Reissue 2000]

Title: David Honeyboy Edwards – Shake ‘Em On Down (1999) [APO Reissue 2000]
Genre: Blues
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton’s “High Water Everywhere” and “Pony Blues”, “Drop Down Mama”, “Shake ‘Em on Down”, “Anna Lee”, “Bullfrog Blues”, and “Monkey Face Woman”. As an added bonus, there’s also an interview with this fascinating bluesman, making this session a real keeper. One of his best.
Once again, Analog Productions has produced a valuable addition to the annals of American recorded music with this jookin’ and jivin’ journey through 70 years of Delta blues by the legendary Honeyboy Edwards. He may be 84 now, but when his fingers pluck and bend and slide over the strings of his big acoustic guitar, Honeyboy suddenly becomes 20 again, and those listening are magically transported into a lost world where Robert Johnson, or Sonny Boy Williamson, or Charley Patton might enter any minute. Opening with a vigorous rendition of Patton’s geo-sexual take on the great 1927 flood, “High Water Everywhere,” followed by down-home standards “Drop Down Mama,” “Shake ‘Em On Down,” and Patton’s signature song, “Pony Blues,” Edwards informs his voice and guitar work with an unforgettably vital sense of musical expression, particularly of his beloved, ever-thriving country blues.

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2 min read

David Elias – Crossing (2005) [SACD / Sketti Sandwich Productions – SSP 1661]

David Elias - Crossing (2005)

Title: David Elias – Crossing (2005)
Genre: Folk
Format: SACD ISO + Hi-Res FLAC

From the first note it is apparent that this is an extraordinary recording. “Crossing” is a recording for anyone looking to rediscover the FOLK tradition in a contemporary expressive format. It has the songs and the musicians performing that are capable of recreating what many consider to be a lost or at least an endangered art. – Stereophile Magazine.

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1 min read

David Davidson – Silver Screen Classics (1997) [Reissue 2019] [SACD / Top Music International Ltd. – TM-SACD8013.2]

David Davidson - Silver Screen Classics (1997) [Reissue 2019]

Title: David Davidson – Silver Screen Classics (1997) [Reissue 2019]
Genre: Soundtrack
Format: DSF DSD64 + Hi-Res FLAC

David Davidson’s artistry crosses boundaries of musical styles, combining classical, pop and commercial music with equal success. It would be too simplistic to define David as a session violinist, or an arranger, or even as a composer or orchestral concertmaster. He is all of these things and he approaches each of his many facets with equal amounts of joy, exquisite artistry and technical mastery. This release subtitled as “The Romance and Magic of the Silver Screen” performed the music from the famous movies, featuring Violin with Piano, Harp, Guitar and Strings.

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1 min read

David Bridie – Act Of Free Choice (2000) [Reissue 2002] [SACD / EMI – 7243 533806 2 5]

David Bridie - Act Of Free Choice (2000) [Reissue 2002]

Title: David Bridie – Act Of Free Choice (2000) [Reissue 2002]
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

David Bridie is one of Australia’s most innovative musicians and songwriters, balancing his career in bands and on record with the composition of soundtrack music… Inventive Australian songwriter David Bridie finds new layers in his well-established gift for moody atmospherics with this solo recording debut. Fans of his work with the chamber pop band My Friend the Chocolate Cake will recognize Bridie’s experimental spirit and his knack for rich melancholic loveliness. But they will also note a deliberate move away from acoustic and orchestral instrumentation in favor of detailed electronic soundscapes. Act of Free Choice has more in common with Bridie’s ambient experiments for Not Drowning, Waving than anything in his recent catalog (indeed, former bandmate John Phillips lends a hand on a few tracks), but this project clearly has its own sonic identity. Like Neil Finn’s Try Whistling This — another adventurous solo debut by a masterful alt-pop songwriter from down under — Bridie’s effort explores a dark new frontier. The album is dark and contemporary but rooted spiritually in the ancient natural mystery of the outback wilderness that plays a significant lyrical role in tracks like “The Koran, the Ghan and a Yarn” and “Kerosene.” “Breath” provides a striking example of this anachronistic tapestry, weaving together exotic Aboriginal wailing, resonant acoustic piano chords, gentle clarinet solos, and distorted techno effects. Bridie’s most effective vocal strategy is to find a respectfully unobtrusive place in the thick of his gorgeous soundscapes. When he plays a more dominant role, as on the unusually aggressive ambient rocker “Float,” his breathy tenor can be slightly grating in its resemblance to ’80s pop crooners like Bryan Adams and Michael W. Smith. Bridie is a good singer, but his real strength lies in a compositional adventurousness that places him in a league with younger studio wizards like Moby and DJ Shadow.

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2 min read

David Davidson & Russell Davis – Classic Heartstrings (2006) [SACD / Top Music International Ltd. – TM-SACD8012.2]

David Davidson & Russell Davis - Classic Heartstrings (2006)

Title: David Davidson & Russell Davis – Classic Heartstrings (2006)
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Violinist David Davidson & pianist Russell Davis perform 12 timeless love songs including “And I Love You So”, “Love Me Tender”, “Evergreen” and many more romantic classics. This release was supported by Canton loudspeakers.

David Davidson’s artistry crosses boundaries of musical styles, combining classical, pop and commercial music with equal success. It would be too simplistic to define David as a session violinist, or an arranger, or even as a composer or orchestral concertmaster. He is all of these things and he approaches each of his many facets with equal amounts of joy, exquisite artistry and technical mastery. Russell Davis is a mainstay of Nashville’s music industry as a producer, arranger, composer and performer, working with a broad spectrum of artists and styles. He has produced more than 15 recording projects for vocal and instrumental artists, including five solo projects, and is a featured artist on the Green Hill Music roster.

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1 min read

David Crosby – If I Could Only Remember My Name (2022 MFSL UltraDisc UHR SACD) (1971/2022) [SACD / Mobile Fidelity Sound Lab – UDSACD 2214]

David Crosby - If I Could Only Remember My Name (2022 MFSL UltraDisc UHR SACD) (1971/2022)

Title: David Crosby – If I Could Only Remember My Name (2022 MFSL UltraDisc UHR SACD) (1971/2022)
Genre: Rock
Format: SACD ISO

David Crosby’s genre-defining psychedelic-folk debut solo album! Featuring contributions from members of Jefferson Airplane, Santana, the Grateful Dead, CSNY and Joni Mitchell Numbered, limited edition Hybrid SACD conveys the altered-consciousness aura, natural lushness of the acoustic-based music! No album personifies the relaxed, loose, albeit troubled early 1970s California aura like If I Could Only Remember My Name. Hallucinogenic, trippy, and akin to a foggy dream you want to last for hours on end, David Crosby’s blissed-out solo debut transcends time and remains a key influence on the contemporary freak-folk scene. A thoroughly unique statement, it lingers as a beautiful convergence of spontaneity, collaboration, circumstance, and recording-studio acumen. Now, more than 50 years after its release, the longtime audiophile favorite has never sounded more ethereal, present, detailed, balanced, or lush.

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1 min read

David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars 2003 (1972) [SACD 2003] [SACD / EMI – 521 9002]

David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars 2003 (1972) [SACD 2003]

Title: David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars 2003 (1972) [SACD 2003]
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

Borrowing heavily from Marc Bolan’s glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie’s fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread. Fleshing out the off-kilter metallic mix with fatter guitars, genuine pop songs, string sections, keyboards, and a cinematic flourish, Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam. Mick Ronson plays with a maverick flair that invigorates rockers like “Suffragette City,” “Moonage Daydream,” and “Hang Onto Yourself,” while “Lady Stardust,” “Five Years,” and “Rock ‘n’ Roll Suicide” have a grand sense of staged drama previously unheard of in rock & roll. And that self-conscious sense of theater is part of the reason why Ziggy Stardust sounds so foreign. Bowie succeeds not in spite of his pretensions but because of them, and Ziggy Stardust — familiar in structure, but alien in performance — is the first time his vision and execution met in such a grand, sweeping fashion.

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2 min read