Berliner Philharmoniker, Herbert von Karajan – Beethoven: The 9 Symphonies (1977) [Japan 2018] [SACD / Deutsche Grammophon – UCGG-9129/32]

Berliner Philharmoniker, Herbert von Karajan - Beethoven: The 9 Symphonies (1977) [Japan 2018]

Title: Berliner Philharmoniker, Herbert von Karajan – Beethoven: The 9 Symphonies (1977) [Japan 2018]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

To commemorate the 110th birthday anniversary of “Emperor of the Stage” Herbert von Karajan, “Beethoven: Complete Symphonies” recorded with the Berlin Philharmonic Orchestra from 1975 to 1977 was re-released on May 23, 2018. Karajan completed the Beethoven symphony cycle six times in his lifetime. This work is the second complete cycle recording, with the Berlin Philharmonic performing at their peak. The latest DSD master produced in 2018 at Emil Berliner Studios in Germany from the original analog master of Deutsche Grammophon in Germany was used to prepare this 4-discs boxset.

If Karajan’s 1963 set of Beethoven symphony recordings (recorded 1961-62 on DG) is generally hailed as one of the overall best cycles, Karajan-77 might in some ways be the better Karajan-Beethoven cycle – namely because it is more typical of Karajan and what he had achieved with the Berlin Philharmonic in the many years they were his orchestra. In the same way, the 1980s cycle might be considered as the exaggerated characteristic of everything that was questionable about Karajan’s particular approach – a trend toward homogeneity gone wrong, with edges first overstated, then smoothed over, and captured in sound worse than either of the predecessors. Karajan ’77 is a more collaborative effort with his orchestra, the detailed sound and clarity of his earlier Beethoven married to the homogenous orchestral sound that is said to have been his ideal. Although the timings are not very different from the earlier cycle (in the “Eroica” Karajan shaves off over two minutes from his previous account, [inadvertently?] coming close to Beethoven’s metronome markings), the symphonies often ‘feel’ a little bit more deliberate because the saturated, secure sound of the orchestra and recording remove any sense of instability, nervous energy.

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2 min read

Herbert von Karajan, Berlin Philharmonic Orchestra – Bach: Orchestra Suites Nos. 2 & 3 (1964) [Japan 2014] [SACD / Deutsche Grammophon – UCGG-9070]

Herbert von Karajan, Berlin Philharmonic Orchestra - Bach: Orchestra Suites Nos. 2 & 3 (1964) [Japan 2014]

Title: Herbert von Karajan, Berlin Philharmonic Orchestra – Bach: Orchestra Suites Nos. 2 & 3 (1964) [Japan 2014]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Cardboard sleeve reissue from Herbert von Karajan features SHM-SACD format for the first time. Japanese original release. Recorded in August 1964 in St. Moritz.

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1 min read

Herbert von Karajan, Berlin Philharmonic Orchestra – Adagio (1972) [Japanese SHM-SACD 2011] [SACD / Deutsche Grammophon – UCGG-9035]

Herbert von Karajan, Berlin Philharmonic Orchestra - Adagio (1972) [Japanese SHM-SACD 2011]

Title: Herbert von Karajan, Berlin Philharmonic Orchestra – Adagio (1972) [Japanese SHM-SACD 2011]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Sound becomes visible! It pulsates! A quality beyond compare, heard by the world for the very first time. The body employs SHM material, renowned for its exceptional transparency and fluidity. Furthermore, adopting the single-layer (2ch) format that truly brings out DSD’s inherent characteristics, this is the ultimate Super Audio CD series! Whilst period instruments and period performance practice are now mainstream for Baroque music, performed by smaller ensembles, Karajan’s interpretation is richly expressive, fully utilising the singing qualities of a large orchestra. DSD conversion from DG’s analogue master by EBS in August 2011. A Japan-exclusive project.

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1 min read

Herbert von Karajan, Berliner Philharmoniker – Verdi: Messa da Requiem (1972) [Japanese SHM-SACD 2012] [SACD / Deutsche Grammophon – UCGG-9051]

Herbert von Karajan, Berliner Philharmoniker - Verdi: Messa da Requiem (1972) [Japanese SHM-SACD 2012]

Title: Herbert von Karajan, Berliner Philharmoniker – Verdi: Messa da Requiem (1972) [Japanese SHM-SACD 2012]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Japanese original release. Uses 2012 DSD master based on the Deutsche Grammophon’s original analog tape.

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1 min read

Herbert von Karajan, Wiener Philharmoniker – Brahms: Symphonies 1 & 3; Tragic Overture (1960 & 1962) [Japan 2019] [SACD / Universal (Japan) – UCGD-9071]

Herbert von Karajan, Wiener Philharmoniker - Brahms: Symphonies 1 & 3; Tragic Overture (1960 & 1962) [Japan 2019]

Title: Herbert von Karajan, Wiener Philharmoniker – Brahms: Symphonies 1 & 3; Tragic Overture (1960 & 1962) [Japan 2019]
Genre: Classical
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

By 90th anniversary of Decca’s founding and 30 years after Herbert von Karajan’s death, following three orchestral recordings by Karajan & Vienna Philharmonic have been converted from the original master to DSD by British Classic Sound. The Symphony No. 1 have been recorded by Karajan for Decca in 1959; Symphony No. 3 and Tragic Overture in 1961.

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1 min read

Herbert Gronemeyer – Mensch (2002) [SACD / Grönland Records – 7243 543194 2 6]

Herbert Gronemeyer - Mensch (2002)

Title: Herbert Gronemeyer – Mensch (2002)
Genre: Rock
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Mensch, released in 2002, is the 20th music release by prominent German rock/pop artist Herbert Grönemeyer. Mensch (Human) is Grönemeyer’s 11th full-length album of original compositions. Herbert Grönemeyer recorded the songs after a long hiatus, during which he mourned the deaths of his wife and brother, both of whom passed away within the same week. As a result, the album features some of his most emotional songwriting to date, as well as a marketable mix of ballads and German rock. The album is almost entirely in German language. Mensch was a huge success in Germany, Austria and Switzerland and sold nearly 4 million copies, making it the best-selling German-language record of all time, also being certified with 21 x Gold in Germany.

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1 min read

Herb Ellis, Joe Pass, Jake Hanna and Ray Brown – Seven, Come Eleven (1973) [Reissue 2003] [SACD / Concord Jazz – SACD-1015-6]

Herb Ellis, Joe Pass, Jake Hanna and Ray Brown - Seven, Come Eleven (1973) [Reissue 2003]

Title: Herb Ellis, Joe Pass, Jake Hanna and Ray Brown – Seven, Come Eleven (1973) [Reissue 2003]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

The second Concord album was recorded the day after the first with the same lineup: guitarists Herb Ellis and Joe Pass, bassist Ray Brown and drummer Jake Hanna. Pass would sign with Pablo but Ellis would be a fixture on the Concord label throughout the 1970s. If anything, the guitarists’ rematch was a bit stronger than their first due to material better suited for jamming including “In a Mellotone,” a speedy “Seven Come Eleven,” “Perdido” and “Concord Blues”.

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1 min read

Henry Mancini – Ultimate Mancini (2004) [SACD / Concord Records – SACD-1034-6]

Henry Mancini - Ultimate Mancini (2004)

Title: Henry Mancini – Ultimate Mancini (2004)
Genre: Jazz, Easy Listening
Format: MCH SACD ISO + Hi-Res FLAC

Henry Mancini is an American Icon. Now with the 80th anniversary of his birth and the issuing of a commemorative stamp by the U.S. Postal Service, singer Monica Mancini and an all-star lineup of guest artists including Stevie Wonder, Take 6, Tom Scott, Kenny Rankin, Joey DeFrancesco, Gary Burton and saxophonist Plas Johnson, who updates his classic recording of “The Pink Panther Theme” (it’s the Panther’s birthday, too: number 40) join together to celebrate Hank’s greatest Oscar and GRAMMY-nominated hits. Concord Records invites you to join in the celebration of the definitive Hollywood composer and the definitive Mancini collection (in spectacular Hybrid Multichannel SACD Surround Sound); Ultimate Mancini.

Henry Mancini was easily one of the greatest composers for film soundtracks, so putting together a collection of 17 songs nominated for various awards (Grammy, Golden Globe, or Academy Awards) was easy. But finding the proper mix of musicians was important. His daughter, Monica Mancini, is a talented singer in her own right, so she was an obvious choice. And it was only natural to invite tenor saxophonist Plas Johnson to reprise his most famous solo in “The Pink Panther Theme,” which he recorded with Mancini for the original soundtrack. For the most part, Mancini’s arrangements are utilized, but there are some twists. Stevie Wonder is featured on harmonica with the vocal group Take 6 in the pretty ballad “Moon River,” while organist Joey DeFrancesco shines in the breezy “Mr. Lucky.” But it is Monica Mancini who makes the biggest impression (along with her father’s music, of course). Her sensual rendition of “Moment to Moment,” and her lightly swinging duet with singer Kenny Rankin of “Dreamsville,” both of which are complemented by Tom Scott’s superb alto sax, make it apparent that she inherited her father’s musical genes. Among the several arrangements contributed by Patrick Williams, his gorgeous chart for Monica of “Dear Heart” features the singer backed mostly by George Doering’s sensitive acoustic guitar. As Donald Fagen of Steely Dan puts it in his brief note to the CD: “All bow before the High Priest of Hollywood Cool!” In other words, fans of Henry Mancini should snap up this rewarding CD right away.

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3 min read

Henry Mancini – Six Hours Past Sunset & A Warm Shade Of Ivory (1969) [Reissue 2016] [SACD / Vocalion – CDLK 4574]

Henry Mancini - Six Hours Past Sunset & A Warm Shade Of Ivory (1969) [Reissue 2016]

Title: Henry Mancini – Six Hours Past Sunset & A Warm Shade Of Ivory (1969) [Reissue 2016]
Genre: Jazz, Easy Listening
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Two laidback gems from Henry Mancini – back to back on a single CD! Six Hours Past Sunset is moody and mellow – and perfect for late nite listening! The album has the tinkling piano of Mancini set over lush orchestrations – breezy, yet dark at the same time, outwardly simple, but filled with complex riffing and sophisticated washes of color and emotion. The larger group features a few horn soloists, but the real focus is on Mancini’s piano – which peppers each track with sprinkles of sound, darting in and out of the more complicated arrangements. Titles include “Traces”, “Midnight Cowboy”, “Two For The Road”, “Didn’t We”, “Six Hours Past Sunset”, and “Theme From The Fox”. Warm Shade Of Ivory is lovely late nite Mancini! The album has Mr. M’s tinkling piano set amidst dark moody arrangements that bank the piano in warm washes of strings and light lilting rhythms – all moving at a slow somber pace that’s perfect for a summer night with the lights down low, the windows open, relaxing in a big easy chair with a drink while the breeze and the sounds of the summer waft over the room. The record is subtle, but a wonderful example of Mancini’s continuing instrumental genius. Titles include “Watch What Happens”, “Day In The Life Of A Fool”, “Cycles”, “Meditation”, “When I Look In Your Eyes”, and “Moment To Moment”.

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2 min read

Henry Mancini – Return Of The Pink Panther & Symphonic Soul (1975) [Reissue 2018] [SACD / Vocalion – CDSML 8535]

Henry Mancini - Return Of The Pink Panther & Symphonic Soul (1975) [Reissue 2018]

Title: Henry Mancini – Return Of The Pink Panther & Symphonic Soul (1975) [Reissue 2018]
Genre: Soundtrack, Jazz
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Two cool Henry Mancini album – one soundtrack, and one sweet set of instrumentals! Return Of The Pink Panther is a surprisingly groovy record – and one that’s very different from the original Pink Panther soundtrack. Symphonic Soul is one of Henry Mancini’s grooviest LPs from the 70s – a mixture of tight large arrangements with a smooth funky edge, similar to some of his best soundtrack work at the time. The rhythm section is great – with Harvey Mason on drums and Joe Sample on keyboards, and guitar by David T Walker and Dennis Budimir – and the album also features some cool solos on instruments like African finger piano and piccolo trumpet.

Vocalion have returned to familiar territory with their release of Henry Mancini’s twofer CD The Return of the Pink Panther / Symphonic Soul (CDSML 8535). Released in 1975, both albums were also launched in Stereo and Quadrophonic versions. So it’s nice to see Vocalion’s CD make a welcome debut on the hybrid SACD format. As far as Mancini pairings go, this selection works extremely well. The choice of Return of the Pink Panther is undoubtedly a smart move as it is arguably the best of the Panther soundtracks. Recorded at London’s CTS studios, there’s a nice range of styles spread across this memorable score. Released on the cusp of the disco era, there’s naturally a great deal of funky guitar riffs (provided by session musician Alan Parker) as well as some beautiful pieces such as ‘Dreamy’ which saw Mancini himself take to the piano. The highlight piece is arguably The Return of the Pink Panther (parts 1 & 2) which accompanied the theft of the Pink Panther diamond. It’s a great piece of composition which incorporates both the Pink Panther theme, a slow (but increasing dramatic) tension builder and a full on frenzy of brass and strings for its climax. Supporting Mancini’s soundtrack release is his studio album, Symphonic Soul. The album was recorded in L.A. and manages to merge the funky mid 70s sound with Mancini’s lush orchestrations. Mancini brought a few of his own new compositions to the album including the wonderful title track. He also took this opportunity to introduce a new souped-up version of his memorable Peter Gunn theme. There’s also some well-established period pieces to be found among the track listing including a great variation of The Average White Band’s funk anthem ‘Pick up the pieces’ and Herbie Hancock’s ‘Butterfly’. Vocalion’s mastering by Michael J. Dutton (from the original master tapes) is reflective of the label’s usual high standards whilst a detailed 8 page booklet rounds off the packaging perfectly.

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3 min read