Category: SACD

Title: Bon Jovi – This Left Feels Right (2003)
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

God knows why Bon Jovi felt the need to recut its best songs in an adult alternative style with Patrick Leonard as the producer. In the thorough liner notes — presented as an interview between Jon Bon Jovi and guitarist Richie Sambora — by the suddenly ubiquitous David Wild, Jon claims that the roots of the album derive from a Japanese show he recorded where the intent was to release live, acoustic versions of the band’s standards. Alas, the recordings weren’t up to snuff, so the band reentered the studio and cut versions that have more overdubs than the original releases. To its credit, the band sounds committed to this rather bizarre project, an endeavor so unconnected to reality that actress Olivia d’Abo — best known for either her role on The Wonder Years or her lead in the brilliant ’90s indie film Kicking and Screaming, depending on your viewpoint — provides counterpoint vocals to “Living on a Prayer,” while “Bad Medicine” boasts breathy, echoed vocals that suggest it was conceived as a reflective affair, not as a dumb hard rock song. This holds true throughout the album, and while the arrangements are relatively interesting, they’re rarely improvements on the originals and rarely rise above the level of novelties. And while longtime fans may find it worthwhile on that level, it doesn’t offer proof that the band’s songs are resilient enough to withstand new arrangements, nor does it shed new light on Bon Jovi or prove that the group is maturing gracefully. And all of that is really too bad, because the songs have stood the test of time, sounding better in their original incarnations than they did upon release, plus the group was moving in the right direction with its last album, adjusting to the sound and feel of middle-aged maturity seemingly effortlessly. This, however, sounds simultaneously safe and hazy; it’s the sound of a band that’s earned the right to indulge itself and has followed that inclination here.

hraudio | allmusic | discogs

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Title: Bon Jovi – Greatest Hits (2010/2021)
Genre: Rock
Format: SACD ISO

2010 release, a career-spanning collection from the Rock icons featuring two new songs: “No Apologies,” and “What Do You Got?”. This release will transport listeners back in time through Bon Jovi’s worldwide monster hits of the past and offer a bridge to the future with the debut of the four new tracks. “Music marks milestones in all our lives,” notes frontman Jon Bon Jovi. “These songs have stood the test of time and they remind us all where we came from, even as we keep our eyes towards the future.” Hybrid SACD pressing. Greatest Hits is a compilation album by American rock band Bon Jovi, originally released in 2010. This 16-track album includes fourteen of the bands hits and two brand new singles “What Do You Got?” and “No Apologies.” Universal. 2021.

hraudio | allmusic | discogs

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Title: Bon Jovi – Bounce (2002)
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

Given that Bon Jovi successfully pulled off a comeback in 2000 with Crush, a shiny pop album pitched directly at the mainstream, it’s kind of a surprise that they returned two years later with a record as turgid as Bounce. Instead of continuing the colorful blueprint of Crush, they fearlessly backpedal, turning out dull, heavy, serious rock — the kind of music that sounds “serious” even when it’s about trivial things. Of course, much of the record is given over to “serious” topics, as if the band felt that the events of 2001 necessitated a grave response for Bounce, regardless of what they were singing. Such sobriety would not have been a problem if the band had solid material, but they’re not only lacking songs, they’ve inexplicably altered their musical approach. In particular, guitarist Richie Sambora sounds as if he’s aping James Hetfield’s lumbering downstrokes throughout the album, giving the record an oppressively heavy sound that never lets the music breathe. This casts a pall over the record, but this stumble is not the sole reason Bounce is such a misstep for the band. After all, this is a record where Bon Jovi seems to have consciously decided to avoid everything that gives their music character, melody, and muscle, a move that would have been odd at any point during their career, but is particularly puzzling after they delivered an album that found them growing old gracefully. It’s as if they want to undo everything Crush did for them.

hraudio | allmusic | discogs

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