Berliner Philharmoniker, Joseph Keilberth – Weber: Der Freischütz [2 SACDs] (1958/2019) [SACD / ]

Berliner Philharmoniker, Joseph Keilberth - Weber: Der Freischütz [2 SACDs] (1958/2019)

Title: Berliner Philharmoniker, Joseph Keilberth – Weber: Der Freischütz [2 SACDs] (1958/2019)
Genre: Classical
Format: SACD ISO

The masterpiece “Die Zauberflote” by Kiehlbert and the BPO, which can be called the origin of German opera, has been restored in excellent sound quality! The fine and fresh singing has been reproduced in high sound quality. The world’s first SACD release of this overwhelming masterpiece! The second in the “Opera Series.” The second disc in the “Magic Bullet Shooter” series, the 1958 recording by Kilebert and the Berlin Philharmonic on the old EMI label has been reissued in the best sound quality available today. The exemplary performance of Grünmer and Schock’s clean and lush singing is still an ideal representation of the work. This is a top-quality masterpiece that appeals to the modern age beyond audio enhancement factors such as sound quality, texture, and sound field. For this reissue, the SACD and CD layers were mastered separately, using new 192kHz/24-bit digitized masters from the original masters in the original country of origin. This is a permanent preservation disc. Includes a 100+ page booklet with new commentary and bilingual lyrics. The 1958 recording of “Die Zauberflote” by Kilebert and the Berlin Philharmonic has long been considered by many fans as an exemplary performance of this work. It was recorded just as EMI was beginning to make stereo recordings in Berlin’s Grünewaldkirche, but unfortunately the sound quality remained unsatisfactory in the CD era because the early digitized recordings were still being used. In the CD era, the early digitized recordings were still being used, and unfortunately, the sound quality remained unsatisfactory. In the first installment of our Beethoven series, we reissued a Beethoven recording by Cluytens recorded at the same location in 2015, which was well received. This latest reissue of “The Magic Bullet Shooter” has also been reissued to great acclaim, and the sound quality has been restored to its former glory. As Daisuke Hirose says in his commentary, “No matter what masterpieces may be produced in the future, the value of this recording and the conductors and singers who performed it will never be diminished. As for the singers, Grünmer and Schock’s clean and fresh singing still shows the ideal way to perform this work, and I am sure that you will fully understand that this is a masterpiece that is well worth reissuing. 

In this series, the SACD layer aims for high resolution and a rich sound field along with extended highs and soft nuances, while the CD layer aims for a realistic tone that is pushed out with a cohesive and solid sound. The CD itself has great potential, and you can rather enjoy the best of both SACD hybrid Please enjoy it as a SACD hybrid disc, where you can enjoy the best of both worlds. The 25th release of the Definition Series will feature two titles in total. <The voices are originally suitable for SACD playback, and since opera recordings (with the exception of some old EMI labels) have not been reissued very often, the master tapes have been replayed only a few times and have not been deteriorated much. In the analog recording period, the label put a great deal of effort into opera recordings, and depending on the work, there are many high-quality sound sources with high musical quality that are worth listening to. We have decided to make it a series. The booklet containing the lyrics translation and commentary is quite large, so the production will be limited to a limited number of copies, due to the limited quantity of printed materials.

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4 min read

Paul Paray, Detroit Symphony Orchestra – Berlioz: Symphonie Fantastique, Marches. Overtures (2005) [SACD / Mercury Living Presence – 4756622]

Paul Paray, Detroit Symphony Orchestra - Berlioz: Symphonie Fantastique, Marches. Overtures (2005)

Title: Paul Paray, Detroit Symphony Orchestra – Berlioz: Symphonie Fantastique, Marches. Overtures (2005)
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC

Oh my God! Wow!!! Are you ready to be terrorized by a March that literally makes you feel as if you ARE the person being marched to the scaffold or a Witch’s Sabbath that makes you feel as if Witches are right there harassing you? For the longest time I merely listened to the Symphonie Fantastique as a disinterested onlooker of the proceedings depicted in the music. I never felt an involvement with the music because of the performers involved—UNTIL NOW!!

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1 min read

Cincinnati Symphony Orchestra, Paavo Järvi – Berlioz: Symphonie Fantastique (2000/2001) [SACD / Telarc – SACD-60578]

Cincinnati Symphony Orchestra, Paavo Järvi - Berlioz: Symphonie Fantastique (2000/2001)

Title: Cincinnati Symphony Orchestra, Paavo Järvi – Berlioz: Symphonie Fantastique (2000/2001)
Genre: Classical
Format: MCH SACD ISO

What, another Symphonie fantastique? How many do we need? Well, there’s always room for a new Fantastique when it’s as well played and beautifully recorded as the Cincinnati Symphony’s classy achievement here, under Paavo Järvi’s meticulous, thoughtful, and musicianly stewardship. While Järvi’s tempos veer toward the broad side of the boulevard, they allow the conductor’s clear textures to coalesce and take shape in ways that stress the score’s eloquent melodicism, as opposed to its opiated drama in the manner of Munch, Bernstein, and Thomas. The whirling bassoon runs and sharp rhythmic pointing throughout the Finale, plus the silver-coated string tone and sparkling harp commentaries in Un Bal make my point.

Moreover, Telarc’s gorgeous engineering balances Berlioz’s radical orchestration and wide range of dynamics in proper, three-dimensional perspective. There’s a stinging richness to the brass playing and spatial (as well as emotional) depth to the percussion that you seldom find on disc. I especially like how Järvi gradually builds the Dream of the Witches’ Sabbath up from a deliberate start to an exultant climax in the final pages. Elegant restraint and flowing long lines characterize the Love Scene from Berlioz’s Roméo et Juliette, one of the finest individual performances of this movement since Giulini’s memorable Chicago Symphony recording for EMI. Warmly recommended.

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2 min read

Olga Borodina, Wiener Philharmoniker, Valery Gergiev – Berlioz: Symphonie fantastique & La Mort de Cleopatre (2003) [SACD / Philips – 470 632-2]

Olga Borodina, Wiener Philharmoniker, Valery Gergiev - Berlioz: Symphonie fantastique & La Mort de Cleopatre (2003)

Title: Olga Borodina, Wiener Philharmoniker, Valery Gergiev – Berlioz: Symphonie fantastique & La Mort de Cleopatre (2003)
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC

Valery Gergiev turns in a generally fine Symphonie fantastique, one that really heats up in the last two movements, as any good performance must. The March to the Scaffold has an aptly menacing character, with very clearly voiced timpani and plenty of panache to the brass playing. The finale begins quite quickly and never lets up; it has the special Berliozian frenzy that so many versions never manage to capture. Elsewhere the results are a bit more variable. The first movement goes quite well on the whole, barring a pointless slow-down at one point toward the end, but the second-movement waltz is strange, with oddly Stravinskian accents disrupting its flow and a general lack of rhythmic tension. However Gergiev does find pretty much the ideal tempo for the slow movement, and the oboe and English horn solos have an appealingly plaintive, pastoral character. La Mort de Cléopatre makes a generous bonus, but not in this performance. Without getting hung up on the details, Gergiev certainly conducts it well enough, but Olga Borodina simply has the wrong voice for the part: thick, heavy, and often unsteady. She sounds dead before the music even begins–okay, maybe it’s not that bad, but compared to singers like Jessye Norman, Véronique Gens, or Janet Baker, she captures neither the nobility of the Egyptian queen nor the pathos of her predicament. Happily, given that many discs offer just the symphony, we can ignore this particular “bonus”, and the rating reflects this. Philips offers vivid live sonics that project the unique timbres of the Vienna Philharmonic horns and strings particularly well, though the harps in the second movement should sound more seductive. Fantastique collectors will find plenty to enjoy here.

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2 min read

Bergen Philharmonic Orchestra, Andrew Litton – Prokofiev: The Symphonies (5xSACD Boxset) (2020/2021) [SACD / BIS – BIS-2594]

Bergen Philharmonic Orchestra, Andrew Litton - Prokofiev: The Symphonies (5xSACD Boxset) (2020/2021)

Title: Bergen Philharmonic Orchestra, Andrew Litton – Prokofiev: The Symphonies (5xSACD Boxset) (2020/2021)
Genre: Classical
Format: MCH SACD ISO

Celebrating the 130th anniversary of Sergei Prokofiev (1891 – 1953), the present box set brings together recordings of his seven symphonies made by Andrew Litton and the Bergen Philharmonic Orchestra between 2012 and 2017. The symphonies appear with their original couplings, including the popular suites from the film score to Lieutenant Kijé and the ballet The Love for Three Oranges. As an added bonus, the set includes the team’s very first recording for BIS: an innovative and highly praised version of Prokofiev’s three suites from Romeo and Juliet, with the 20 movements reordered to follow the ballet score.

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1 min read