Eric Alexander Trio – Just One Of Those Things (2016) [Japan] [SACD / Venus Records – VHGD-188]

Eric Alexander Trio - Just One Of Those Things (2016) [Japan]

Title: Eric Alexander Trio – Just One Of Those Things (2016) [Japan]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Eric Alexander has had many opportunities to record as a leader for several different labels, though producer Tetsuo Hara, owner of the Japanese label Venus, has become a huge fan, recording him almost any time he travels to New York City. This is another superb outing by Eric Alexander on a freewheeling trio to compile a nine-track full of jazz’s favorite staples from John Coltrane, Cole Porter and many more! There’s a new sort of edge in Eric’s horn, sided with the sublime work of Dezron Douglas on bass and Neal Smith on drums, which he displays throughout the set with a new great sense of spirituality. Well recommended!

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1 min read

Eric Alexander Quartet – Sunday In New York (2005) [Japan 2015] [SACD / Venus Records – VHGD-105]

Eric Alexander Quartet - Sunday In New York (2005) [Japan 2015]

Title: Eric Alexander Quartet – Sunday In New York (2005) [Japan 2015]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Since finishing second to Joshua Redman in the Thelonious Monk Institute’s tenor sax competition, Eric Alexander has built an impressive discography as a leader, while also drawing a lot of attention in both the U.S. and Japan. This Venus release, recorded in 2005 and one of the last sessions by pianist John Hicks (who died just over a year later), primarily focuses on standards, with the exception of Hicks’ tense hard bop vehicle ‘Avotcja.’ A loping treatment of ‘Sunday in New York’ is a solid opener, conveying the image of a brisk walk in Central Park on a cool autumn day.

Alexander’s driving arrangement of ‘Dearly Beloved’ and the lush, slowly savored duet with Hicks of ‘Like Someone in Love’ are obvious highlights. He also revives the unjustly obscure ‘My Girl Is Just Enough Woman for Me’ in swinging fashion. The hard-charging setting of ‘Alone Together’ shows the influence of Dexter Gordon, while the gorgeous interpretation of ‘My Romance’ is the perfect wrap to an outstanding date. Bassist John Webber and drummer Joe Farnsworth, two of New York City’s most in-demand players and regular collaborators with Alexander, provide strong support throughout the recording.

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2 min read

Eric Alexander Quartet – Recado Bossa Nova (2014) [Japan 2015] [SACD / Venus Records – VHGD-63]

Eric Alexander Quartet - Recado Bossa Nova (2014) [Japan 2015]

Title: Eric Alexander Quartet – Recado Bossa Nova (2014) [Japan 2015]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

The big star on the Japanese Venus Records’ roster and one of the top tenor saxophonists of his generation, Eric Alexander’s latest release is a Latin jazz album. Leading his regular quartet consisting of the powerful Harold Mabern on piano, Nat Reeves on bass and Joe Farnsworth on drums, Alexander blows his powerful horn on the bossa nova and Cuban rhythms.

Eric Alexander has appeared on record as a leader, sideman, producer, and composer. By now, he has lost count of how many albums feature his playing; he guesses 60 or 70. He has earned praise from critics and, even more important, established his own voice within the bebop tradition. Influenced heavily by John Coltrane, Sonny Stitt, Dexter Gordon and George Coleman, Alexander has worked with many notable jazz musicians, including Chicago pianist Harold Mabern, bassist Ron Carter, drummer Joseph Farnsworth, and guitarist Pat Martino. He has also recorded and toured extensively with the sextet One for All.

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1 min read

Eric Alexander Quartet – My Favorite Things (2007) [Japan 2015] [SACD / Venus Records – VHGD-91]

Eric Alexander Quartet - My Favorite Things (2007) [Japan 2015]

Title: Eric Alexander Quartet – My Favorite Things (2007) [Japan 2015]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

This release from Eric Alexander is a notable one. Venus Records asked the readers of Swing Journal what they would like to hear Alexander play. From that long list of requested songs, Alexander selected the tunes included on My Favorite Things. Many of the selections are well-known jazz tracks heavily associated with tenor saxophone giants of the past. Some of them include “Sugar” by Stanley Turrentine, “Airegin” by Sonny Rollins, and “My Favorite Things” and “Lazy Bird” made famous by John Coltrane. Alexander confronts this challenging task with the confidence of an expert musician. He makes every performance his own with his strong, warm tone and unique phrasings — all while paying respect to the great tenor saxophonists. The quartet flew to Tokyo and recorded the entire album in just one day. Once again, Alexander proves that he is one of the greatest tenor saxophonists today. This album is another excellent offering to the music world.

Eric Alexander is in top form throughout this 2007 quartet session with some of his favorite bandmates, including David Hazeltine, bassist John Webber, and drummer Joe Farnsworth, all four of whom are members of the group One for All and regular participants on the Manhattan jazz scene in clubs and studios. The big-toned tenor saxophonist covers a lot of bases, including several standards, works by jazz greats (all tenor players), and a bossa nova. Though John Coltrane has been an obvious influence on some earlier recordings, he has developed his own sound, blending ideas from past artists with his own. The rhapsodic treatment of “Stella by Starlight” is one highlight, and while he opts for the famous Coltrane modal setting of “My Favorite Things,” he doesn’t linger in getting to the conclusion of its theme. His turbocharged take of Sonny Rollins’ “Airegin” is fueled by his fiery rhythm section, while Hazeltine’s soulful, lush accompaniment is the perfect backdrop for the leader in the moving “Lover Man.” Another fine date by Eric Alexander, one of the best saxophonists of his generation.

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2 min read

Eric Alexander Quartet – Gentle Ballads VI (2022) [SACD / Venus Records – VHGD-374]

Eric Alexander Quartet - Gentle Ballads VI (2022)

Title: Eric Alexander Quartet – Gentle Ballads VI (2022)
Genre: Jazz
Format: SACD ISO

Sixth installment from the Gentle Ballads series! More stunning playing from tenor saxophonist Eric Alexander’s Gentle Ballads series. Included are “So In Love,” “Hush-A-Bye,” “What Are You Doing The Rest Of Your Life” and more!

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1 min read

Eric Alexander Quartet – Gentle Ballads V (2011) [SACD / Venus Records – VHGD-21]

Eric Alexander Quartet - Gentle Ballads V (2011)

Title: Eric Alexander Quartet – Gentle Ballads V (2011)
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

The fifth installment of tenor saxophonist Eric Alexander’s “Gentle Ballads” series doesn’t disappoint. His unwavering, strong tone and unsentimental approach, combined with a certain peacefulness and strong spirituality of his playing, produce stunning results. For the first time in this series, master pianist George Cables joins the band and makes valuable contributions.

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1 min read

Era – The Very Best Of (2004) [SACD / Mercury – 982 501-8]

Era - The Very Best Of (2004)

Title: Era – The Very Best Of (2004)
Genre: New Age
Format: MCH SACD ISO + Hi-Res FLAC

Era (styled as +eRa+) is a New Age music project by French composer Eric Lévi. The band has sold more than 12 million albums. They use lyrics (by Guy Protheroe) which although similar to Greek or Latin are in fact deliberately devoid of any exact meaning.

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1 min read

Epica – The Score – An Epic Journey (Special Edition) (2005) [SACD / Transmission Records – PRO-SACD-058]

Epica - The Score - An Epic Journey (Special Edition) (2005)

Title: Epica – The Score – An Epic Journey (Special Edition) (2005)
Genre: Symphonic Metal, Soundtrack
Format: MCH SACD ISO

How anybody can listen to Epica and dismiss them as a second rate nightwish is beyond me. This album shows how far beyond Nightwish, and similar bands, they really are. The Score – An Epic Journey is an almost fully-orchestral film soundtrack for a Dutch film called Joyride. Composed almost entirely by Mark Jansen and Yves Huts, this is a chance for them to not only show off the skills they possess regarding orchestration and composing, but to evolve on their past work, to increase their understanding. Although, this is certianly no practice album. It is hard not to be dazed by some of the songs on Score. On some songs, such as The Valley, I just sat there with my mouth open, listening to different sounds meandering into the foreground, and marvelling at the power and epic qualities that this soundtrack possesses. Some of the slow tracks were a little tiresome, but it is a soundtrack, so they have to be there. I can forgive that. The rest of them, however, were a joy to listen to. I’m not normally big on this kind of music, but it held my attention superbly. I have to concede that some of the tracks on this soundtrack are not as original as one would expect, with tracks that are surprising reminiscent of Pirates of the Carribean, Harry Potter or even Star Wars, but they are certainly not the same, and are still incredibly enjoyable to listen to. Besides, who am I to judge where Jansen and Huts draw inspiration from? There were hints toward what to expect on Score on Epica’s previous album, Consign To Oblivion, noteably the rather over-the-top prologue. And flashbacks to Consign To Oblivion can be heard in Score, with Trois Vierges making a comeback, this time in the form of a solo version, and reprise version. The single version of Solitary ground also makes an appearance. But, keeping the attention of metal fans is a special Score version of Quietus, which kicks off with electric guitar, before the original version did, but is more orchestral than the original, and in my opinion, more of a joy to listen to, and more refined. The Score – An Epic Journey is a must have for Epica fans. Not an ideal first album, simply because it is an unusual piece, but for any established fans it is an essential part of your collection. Epic to hear, and memorable, surpasses antying they have done before in sheer skill and prowess. A second-rate Nightwish Epica are not, and I expect that we will hear a much more mature, refined and orchestral sound in the upandcoming album The Divine Conspiracy.

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3 min read

Epica – Consign To Oblivion (2005) [SACD / Transmission Records – TMSA-052]

Epica - Consign To Oblivion (2005)

Title: Epica – Consign To Oblivion (2005)
Genre: Metal
Format: MCH SACD ISO + Hi-Res FLAC

Consign to Oblivion is the second studio-album by Dutch symphonic metal band Epica. Stylistically, the album is more focused towards orchestration than other Epica releases and features heavy use of a chorus. The album’s lyrics are heavily influenced by Mayan Civilization.

For all its ambitious plotting, baroque soundscapes, and unquestionable technical merits, Epica’s first album was distinctly lacking in the most crucial of categories: songwriting. In fact, it pretty much proved the point that musical education doesn’t necessarily guarantee musical inspiration, ultimately achieving surprisingly little purchase in one’s memory banks for an album so rife with Strum und Drang. In retrospect, it may also have been somewhat rushed in its construction, what with guitarist and creative leader Mark Jansen possibly being a little too anxious to prove his own mettle after quitting After Forever — the band founded with his sister Floor, and who in fact helped pioneer the symphonic/progressive/power metal style still on dominant display here. Longer preparation has certainly had a positive effect on the sophomore effort, but, if anything, Epica remain more committed to that original vision than the increasingly modern-sounding (though no less progressive) After Forever, insisting on employing human choirs and orchestras throughout Consign to Oblivion, and rarely letting mezzo-soprano Simone Simons stray from an operatically correct delivery. Jansen’s death growls have also taken a noticeable back seat this time around, but that’s not to say that typical offerings such as “Dance of Fate,” “Blank Infinity,” and “Force of the Shore” fail to provide plenty of heavy staccato guitar riffing and hyperactive double kick drums. Single candidate “Solitary Ground,” on the other hand, finds an adequate middle ground between rocker and ballad; “Quietus” pretty much waltzes away from start to finish; and the symphonic overkill is finally toned down for the surprisingly pop-campy, harpsichord-led ballad “Trois Vierges” (big-time Nightwish influence), on which Simons is joined by Kamelot vocalist Roy Kahn. And don’t forget the four different movements of a fatalistic suite subtitled “A New Age Dawns” (partly sung in Latin, and decrying man’s folly with nature — you know the drill), which are strewn about the album in somewhat arbitrary fashion, and may only confuse things further. Nevertheless, Consign to Oblivion’s overall presentation is as immaculate as its predecessor’s, and definitely an improvement from a compositional perspective, promising better things to come in Epica’s future.

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3 min read