Dylan van der Schyff – The Definition Of A Toy (2005) [SACD / Songlines Recordings – SGL SA1554-2]

Dylan van der Schyff - The Definition Of A Toy (2005)

Title: Dylan van der Schyff – The Definition Of A Toy (2005)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

This Canadian/American/European collaboration is the brainchild of Vancouver drummer Dylan van der Schyff who formed the group, brought it together and thoughtfully sequenced the album. An excellent recording accentuates the music’s colours and moods. Each of the performers, apart from van der Schyff, contributes a substantial composition or two to this 2005 release, resulting in a diverse yet complementary range of modern jazz styles and free playing. With only one day of rehearsal, the collective depth of the musicianship is evident throughout in the soloing and group dynamic.

This set had me worried. Some of the group improvising is so sparse and meandering that it almost sounds as if the musicians are lost, or too shy to play much. However, just when one is ready to give up on this project as a lost effort, one of the musicians gets the momentum flowing and the others follow with their own comments. By the time the quintet performs the closing “Broken,” the music makes perfect sense and has plenty of forward momentum. The musicians, best known of which are clarinetist Michael Moore and bassist Mark Helias, are all excellent and intuitive. Although they have been involved in more rewarding projects through the years, The Definition of a Toy by its conclusion has logical development. It just takes a long time to get to the point!

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2 min read

Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan – Dvorák: Cello Concerto – Tchaikovsky: Variations on a Rococo Theme (1968/2012) [SACD / Universal (Japan) – UCGG-9045]

Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan - Dvorák: Cello Concerto - Tchaikovsky: Variations on a Rococo Theme (1968/2012)

Title: Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan – Dvorák: Cello Concerto – Tchaikovsky: Variations on a Rococo Theme (1968/2012)
Genre: Classical
Format: MCH SACD ISO

This timeless masterpiece, which swept the world’s major recording awards—Germany’s Schallplattenpreis, France’s Grand Prix du Disque, and Japan’s Record Academy Award—can be declared Rostropovich’s greatest performance.

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1 min read

Fritz Reiner, Chicago Symphony Orchestra – Dvorak: Symphony No. 9 “New World” and other orchestral masterworks (2005) [SACD / Living Stereo – 82876663762]

Fritz Reiner, Chicago Symphony Orchestra - Dvorak: Symphony No. 9 “New World” and other orchestral masterworks (2005)

Title: Fritz Reiner, Chicago Symphony Orchestra – Dvorak: Symphony No. 9 “New World” and other orchestral masterworks (2005)
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC

This performance exemplifies the magic that occurs when a perfect symbiosis is achieved between a music director and orchestra. Nothing sounds forced or contrived, and when Reiner takes some slightly unusual tempo liberties in the Largo the performers seem to innately understand his intent and everything flows and makes perfect sense. Reiner emphasizes the minor/major key changes in the Scherzo to brilliant effect, and the 4th movement dazzles with energy and virtuosity. The Carnival Overture, Smettena and Weinberger are lovely surprise ornaments to a must-have Symphony No. 9. The multitrack transfer reflects the 3-mike original recording (left, center and right channels only) and does not add engineering to a splendid recording. This disc is like a time machine bringing the listener back to a main floor center seat a Orchestra Hall. The strings reveal their wooden resonance, and you can hear the buzz of string on frets during the bass pizzicato passages. That said, we are talking about 1950’s recording technology and I have heard more detailed SACDs. Still, the difference between the CD and SACD multichannel layers is not subtle. I’ve known and loved the Solti/CSO “New World” recording for years; it is now relegated to the re-gifting pile. If you are a Dvorak fan, buy this disc. ~sa-cd.net

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2 min read

Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Ferenc Fricsay – Dvořák: Symphony No. 9; Smetana: Vltava; Kodály: Hary Janos Suite (2020) [SACD / Tower Universal Vintage – PROC-2267]

Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Ferenc Fricsay - Dvořák: Symphony No. 9; Smetana: Vltava; Kodály: Hary Janos Suite (1959-1961/2020)

Title: Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Ferenc Fricsay – Dvořák: Symphony No. 9; Smetana: Vltava; Kodály: Hary Janos Suite (1959-1961/2020)
Genre: Classical
Format: SACD ISO

Furichai’s iconic masterpiece. Overwhelming with its fierce intensity, “New World” and others are newly mastered from the original analog master tapes in Germany for the world’s first SA-CD release! Superb recording. Newly mastered in Germany from the original analog master tapes. This golden combination album pairs Furtwängler’s definitive DG recording of the “New World Symphony” with his equally masterful “Moldau,” also conducted with the Berlin Philharmonic, and Kodály’s “János Károlyi Suite,” one of the composer’s major works which Furtwängler championed with extraordinary passion throughout his life, alongside Bartók. The 1959 recording of the “New World” Symphony showcases the Berlin Philharmonic’s formidable power with its low center of gravity, combined with Furtwängler’s exceptional sense of tempo and masterful transitions. Beyond just this recording, one feels the tremendous intensity poured into the performance. It is a compelling interpretation that stands out among the many recordings, and even 60 years after its release, it remains a masterpiece worthy of the forefront. The Moldau begins at a brisk tempo, with the middle section offering a sense of liberation rich with lingering resonance and a flowing tempo that is truly outstanding. As seen in rehearsal footage, the meticulous direction and the orchestra’s ability to respond to it make this a rare masterpiece. While this piece is often performed separately and many recordings exist, this performance is also one that captures the essence of Fricsay. Furthermore, Kodály’s representative orchestral work, the suite “Háry János,” is nothing short of definitive in this recording. Though made just seven years after the first recording in 1954, this re-recording—despite the difference between stereo and mono—paints Kodály’s world with even greater intensity. His approach to music, emphasizing universal musicality over excessive nationalism, undoubtedly results in performances that satisfy many listeners. Moreover, this recording was made just two months before Fricsay abandoned his conducting career, making it one of his final recordings, a fact that lends it profound significance.

The DG recordings from that era possess a robust, almost rugged thickness with a solid foundation. Yet, thanks to high-resolution remastering, the soundstage has become sharper and the ambient sound richer, allowing one to feel the atmosphere and passion of that time. As these are highly regarded, important recordings, both the “New World” and “Moldau” were previously released on Blu-ray Audio. However, this time they have been remastered from the original analog master tapes in the country of origin, digitally converted to 192kHz/24bit, and given the latest mastering, allowing for an even more detailed sound. Furthermore, the recording technology for the “Hary János” suite had advanced even further, achieving a quality that holds up remarkably well even when listened to today. For this reissue, we traced back to the original analog master tapes from the country of origin and performed high-quality digitization. Using the highest-grade flat master tape, not just for this release, has yielded an exceptionally strong presence. Texture and spatial positioning have become astonishingly clear and distinct, combined with the benefits of DSD conversion to reproduce unprecedentedly superb sound quality. For this release, the original analog master tapes from the country of origin underwent physical maintenance and restoration before being digitized at high resolution (192/24 PCM). Mastering was then meticulously performed over an extended period at Berlin’s Emil Berliner Studios by the label’s dedicated engineer, following a detailed process specifically for this series. The SA-CD layer delivers the high-definition master sound. The CD layer also features the latest digitization and mastering, setting it apart from the sound quality of previous releases. This series adopts the original jacket design and includes a new introductory essay by Kotaro Yamazaki. This 21st installment of the “Vintage SA-CD Collection” will release a total of three titles.

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4 min read

Dusty Springfield – Dusty In Memphis (1969) [Analogue Productions Remaster 2013] [SACD / Analogue Productions – CAPP 8214 SA]

Dusty Springfield - Dusty In Memphis (1969) [Analogue Productions Remaster 2013]

Title: Dusty Springfield – Dusty In Memphis (1969) [Analogue Productions Remaster 2013]
Genre: Pop Rock, Soul
Format: SACD ISO + Hi-Res FLAC

Sometimes memories distort or inflate the quality of recordings deemed legendary, but in the case of Dusty in Memphis, the years have only strengthened its reputation. The idea of taking England’s reigning female soul queen to the home of the music she had mastered was an inspired one. The Jerry Wexler/Tom Dowd/Arif Mardin production and engineering team picked mostly perfect songs, and those that weren’t so great were salvaged by Springfield’s marvelous delivery and technique. This set has definitive numbers in “So Much Love,” “Son of a Preacher Man,” “Breakfast in Bed,” “Just One Smile,” “I Don’t Want to Hear About It Anymore,” and “Just a Little Lovin’” and three bonus tracks: an unreleased version of “What Do You Do When Love Dies,” “Willie & Laura Mae Jones” and “That Old Sweet Roll (Hi-De-Ho).” It’s truly a disc deserving of its classic status.

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1 min read

Duran Duran – Astronaut (2004) [SACD / Epic – 82876761752]

Duran Duran - Astronaut (2004)

Title: Duran Duran – Astronaut (2004)
Genre: Rock, Synth-pop
Format: MCH SACD ISO + Hi-Res FLAC

“It’s like the Mamas & the Papas meets Kraftwerk.” This line, more baffling than a lyric like “Shake up the picture, the lizard mixture, with your dance on the eventide,” is how Simon LeBon described Astronaut to Rolling Stone. If it was meant to lower expectations of the first Duran Duran album to feature the Fab Five (meaning LeBon, Nick Rhodes, and the trio of unrelated Taylors) since Seven and the Ragged Tiger, it worked. Astronaut, rest assured, sounds nothing like that match made in hell. Instead, it resembles what the average lapsed Durannie might expect or even hope for — a modern-sounding mixture of extroverted dance-pop and rock, with a couple of relatively subdued and introverted moments. No sound seems forced, and you can tell that the members are thrilled to be in the same studio with one another. Despite a disparate lineup of producers, including Don Gilmore (Linkin Park, Good Charlotte, Avril Lavigne) and Dallas Austin (Boyz II Men, Janet Jackson, Pink), the songs slide into one another as well as they do on any of the group’s early albums. The big, glossy, buoyant songs work best, containing punching choruses and sleekly raucous motifs that manage to trigger faint memories without sounding recycled. The lighthearted mid-tempo funk of “Bedroom Toys,” however, is a randy nightmare that’s almost as awkward as any of the covers on Thank You. Even with a handful of forgettable songs beyond that, the album is easily the best one credited to the Duran Duran name since 1993’s Wedding Album. That’s not saying much, but the fact that these five fortysomethings have made something fresh and contemporary — without acknowledging the ’80s revival(s) — is a feat of some kind.

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2 min read

Duke Ellington – Supreme Jazz (2006) [SACD / Supreme Jazz – 223261-207]

Duke Ellington - Supreme Jazz (2006)

Title: Duke Ellington – Supreme Jazz (2006)
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. The two aspects of his career were related; Ellington used his band as a musical laboratory for his new compositions and shaped his writing specifically to showcase the talents of his bandmembers, many of whom remained with him for long periods. Ellington also wrote film scores and stage musicals, and several of his instrumental works were adapted into songs that became standards. In addition to touring year in and year out, he recorded extensively, resulting in a gigantic body of work that was still being assessed a quarter century after his death.

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1 min read

Duke Ellington & John Coltrane – Duke Ellington & John Coltrane (1962) [Analogue Productions 2010] [SACD / Analogue Productions – CIPJ 30 SA]

Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) [Analogue Productions 2010]

Title: Duke Ellington & John Coltrane – Duke Ellington & John Coltrane (1962) [Analogue Productions 2010]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

For this classic encounter, Duke Ellington “sat in” with the John Coltrane Quartet for a set dominated by Ellington’s songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding. Their version of “In a Sentimental Mood” is a high point, and such numbers as “Take the Coltrane,” “Big Nick,” and “My Little Brown Book” are quite memorable. Ellington always recognized talent, and Coltrane seemed quite happy to be recording with a fellow genius.

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1 min read

Duke Ellington & His Orchestra – Masterpieces by Ellington (1951) [Analogue Productions 2014] [SACD / Analogue Productions – CAPJ 4418 SA]

Duke Ellington & His Orchestra - Masterpieces by Ellington (1951) [Analogue Productions 2014]

Title: Duke Ellington & His Orchestra – Masterpieces by Ellington (1951) [Analogue Productions 2014]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia label in 1950. It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them “concert arrangements” of Ellington standards and one, “The Tattooed Bride”, a recent tone poem. The original 1951 release under the “Columbia Masterworks” banner featured a red cover which was replaced by the more modern blue cover in 1956. This album was re-released with additional bonus tracks recorded at later sessions from 1951.

Amazingly, it took Columbia Records until the very end of 1950, two years into the LP era and the transition from disc to magnetic tape recording, to get Duke Ellington and His Orchestra into the studio to cut a long-playing record. For the first time in his recording career, Ellington was able to forego the three-minutes-and-change restrictions in running time of the 78 rpm disc – he and the band rose to the occasion with extended (11-minute-plus) “uncut concert arrangements” of “Mood Indigo,” “Sophisticated Lady,” and “Solitude,” augmented with one splendid newer work, “The Tattooed Bride.” And it’s taken 15 years into the CD boom before Masterpieces By Ellington has been given the treatment that it deserves. “The Tattooed Bride” is a swinging virtuoso piece that, as everyone present must have known, couldn’t possibly have been captured in this manner in any era before this session – this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band’s sound, and so it’s a doubly precious piece (as is the whole album), among the last written specifically for this lineup.

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2 min read

Duke Jordan – Flight To Jordan (1960) [Analogue Productions Remastered 2011] [SACD / Analogue Productions – CBNJ 84046 SA]

Duke Jordan - Flight To Jordan (1960) [Analogue Productions Remastered 2011]

Title: Duke Jordan – Flight To Jordan (1960) [Analogue Productions Remastered 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

The second of trumpeter Freddie Hubbard’s two Impulse albums features the 25-year old in three separate settings. He is heard along with a tenor-saxophonist backed by strings (“Skylark,” “I Got It Bad” and “Chocolate Shake” are all given beautiful treatments), with a 16-piece band and in a septet with Eric Dolphy and Wayne Shorter. This well-rounded and highly recommended showcase shows why Freddie Hubbard was considered the top trumpeter to emerge during the early ’60s. ~ AcousticSounds

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1 min read