Creedence Clearwater Revival – Creedence Clearwater Revival (1968) [SACD 2002] [SACD / Analogue Productions – CAPP 8382 SA]

Creedence Clearwater Revival - Creedence Clearwater Revival (1968) [SACD 2002]

Title: Creedence Clearwater Revival – Creedence Clearwater Revival (1968) [SACD 2002]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Credence Clearwater Revival was the eponymous debut album by the American rock band Creedence Clearwater Revival and was originally released on July 5, 1968. The album featured a number of covers, including “Susie Q”, which became a hit. Although the band initially struggled to achieve recognition by critics, they would eventually go on to become one of the most well-known and beloved American rock bands of the 1960s and ’70s.

Released in the summer of 1968 — a year after the summer of love, but still in the thick of the Age of Aquarius – Creedence Clearwater Revival’s self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty’s Americana fascinations. While many of Fogerty’s obsessions and CCR’s signatures are in place — weird blues (“I Put a Spell on You”), Stax R&B (Wilson Pickett’s “Ninety-Nine and a Half”), rockabilly (“Susie Q”), winding instrumental interplay, the swamp sound, and songs for “The Working Man” — the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of “Susie Q,” the backward guitars on “Gloomy,” and the directionless, awkward jamming that concludes “Walking on the Water.” Still, the band’s sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty’s songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins’ “Susie Q,” Screamin’ Jay Hawkins’ “I Put a Spell on You”) — he wasn’t an accomplished tunesmith yet. Though “The Working Man” isn’t bad, the true exception is that third single, “Porterville,” an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as “Fortunate Son.” It’s the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn’t be dismissed, because judged simply against the rock & roll of its time, it rises above its peers.

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3 min read

Cat Stevens – Tea For The Tillerman (1970/2011) [SACD / Analogue Productions – CAPP 9135 SA]

Cat Stevens - Tea For The Tillerman (1970/2011)

Title: Cat Stevens – Tea For The Tillerman (1970/2011)
Genre: Rock
Format: SACD ISO

Tea for the Tillerman is an album by singer-songwriter Cat Stevens. This album, Stevens’ second during 1970, includes many of Stevens’ best-known songs including “Where Do the Children Play?”, “Hard Headed Woman”, “Wild World”, “Sad Lisa”, “Into White” and “Father and Son”. Four of the tracks (“Where Do the Children Play?”, “On the Road to Find Out”, “Tea for the Tillerman” and “Miles from Nowhere”) were featured in the Hal Ashby and Colin Higgins’ black comedy film entitled Harold and Maude, in 1971. The track “But I Might Die Tonight” was featured on another 1971 film: Deep End by Jerzy Skolimowski. Stevens, a former art student, created the artwork featured on the record’s cover.

With “Wild World” as an advance single, this was the album that brought Stevens world-wide fame. The album itself charted into the top 10 in the United States, where he had previously had few listeners.[citation needed] On 18 November 2003, Rolling Stone Magazine included this album in its 500 Greatest Albums of All Time list at number 206. The title-song “Tea for the Tillerman” was used as the ending theme for both series of the Golden Globe-winning BBC-HBO sitcom Extras, written and co-directed by Ricky Gervais and Stephen Merchant. In 2006, the album was included in the book 1001 Albums You Must Hear Before You Die. In 2007, the album was included in the list of “The Definitive 200 Albums of All Time”, released by The National Association of Recording Merchandisers and the Rock and Roll Hall of Fame. In August 2011 Tea For The Tillerman was reissued by Analogue Productions. The album was the first album pressed by AP’s new record pressing plant. The album was remastered by George Marino at Sterling Sound from the absolute original master tape. In 1970, Lee Hulko at Sterling Sound cut Tea For The Tillerman for A&M Records in the U.S. and Island Records in the UK.

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2 min read

Caspar Frantz – J.S. Bach: Franzosische Suiten BWV 812-817 (2012) [SACD / Ars Produktion – ARS 38 115]

Caspar Frantz - J.S. Bach: Franzosische Suiten BWV 812-817 (2012)

Title: Caspar Frantz – J.S. Bach: Franzosische Suiten BWV 812-817 (2012)
Genre: Classical
Format: MCH SACD ISO + Hi-Res FLAC

The “French Suites” were devised as a technically less challenging preliminary level in learning the organ, situated between the studies of “Inventions and Sinfonias” and the “English Suites”, the so called ‘large’ suites, and “Partitas”. Bach’s composing a remarkable number of pieces with a didictic purpose for the piano can be considered as an attempt to further his reputation as a teacher. Caspar Frantz combines his recording of the French Suites with two less known suites which demonstrate, that discoveries are still possible even in such a well-known ouevre like Bach’s.

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1 min read

Carrie Newcomer – The Slender Thread (2015) [SACD / Stockfisch Records – SFR 357.4088.2]

Carrie Newcomer - The Slender Thread (2015)

Title: Carrie Newcomer – The Slender Thread (2015)
Genre: Folk Rock, Singer-Songwriter
Format: SACD ISO + Hi-Res FLAC

Carrie Newcomer is a songwriter, recording artist, performer and educator. A friendly, un-dogmatic but at the same time deep spirituality is at the core of her artistry. She has been described as a “prairie mystic” by the Boston Globe and a person who “asks all the right questions” by Rolling Stone.
Once upon a time there was a singer from a far-off country who was fair of face and sang with the voice of an angel. Her name was Newcomer, although she possessed a rich store of artistic experience. The master troubadours of Stockfisch heard of this wonderful songstress, and because in a fairy-tale nothing is impossible, they waved their wands and whisked her over the wide, wide ocean to ultimately land in the fabled acoustic cavern of Northeim. There they enhanced her golden voice with lutes, flutes and other fabulous instruments. The wonderful thing is: this is not a fairy tale, or more correctly, for the poets, dreamers, and connaisseurs (actually for all of us), this is a fairy-tale come true! With its warm, catchy tunes and mellow, autumnal glow, The Slender Thread, Newcomer’s debut album on Stockfisch, can easily become a habit. One can’t help getting the impression – Carrie Newcomer has a gift for happiness. For the artist herself, incidentally, her songs are old friends – they stand for her friendship with life, people and not least with music. The Slender Thread beckons with the promise of a good friend in the making – or perhaps a whole group of good friends in these songs and melodies that are sure to get stuck in your head.

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2 min read

Carpenters – The Singles 1969-1973 (1973) [Japanese SHM-SACD 2014] [SACD / A&M Records – UIGY-9542]

Carpenters - The Singles 1969-1973 (1973) [Japanese SHM-SACD 2014]

Title: Carpenters – The Singles 1969-1973 (1973) [Japanese SHM-SACD 2014]
Genre: Pop, Acoustic
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

There’s a certain inherent sadness listening to this concise 12-song collection of the Carpenters’ early hits, especially as it opens with “We’ve Only Just Begun,” with its hopeful, dreamy lyrics — for it was never supposed to be definitive, just the first of at least two such collections. But changes in the public’s taste and a slackening (though never a disappearance) of hits for the duo, and Karen Carpenter’s death in 1983, made this the first and only real mass choice for a Carpenters collection. Ten of the duo’s dozen Top Ten hits are present, from “Close to You” to “Top of the World,” with their gorgeous and original slow ballad interpretation of “Ticket to Ride” and their cover of Carole King’s “It’s Going to Take Some Time” thrown in to offer a slightly wider perspective. Listening to this material, it’s easy to accuse the Carpenters of being hopelessly retro even in their own time — bear in mind that “We’ve Only Just Begun” and “Superstar” being contemporaneous with the Allman Brothers’ At Fillmore East and Eat a Peach and you get the idea. But the lush melodies brought out in Richard Carpenter’s arrangements and Karen’s singing are justification in themselves.

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2 min read

Carol Kidd – Debut (1984) [Reissue 2004] [SACD / Linn Records – AKD 228]

Carol Kidd - Debut (1984) [Reissue 2004]

Title: Carol Kidd – Debut (1984) [Reissue 2004]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

Carol Kidd is widely considered to be a singer’s singer. She has been described by Frank Sinatra as “the best kept secret in British Jazz”. While Tony Bennett was prompted to say “you should be world-famous, where’ve you been?” Cleo Laine, who should know about these things, has commented, “her control is thrilling…. She is world class”. This re-issue debut album, originally recorded in 1984, is ample proof that Carol Kidd is indeed an exceptional talent. She has a voice of outstanding beauty, marvellous diction and perfect pitch combined with impeccable jazz feeling.

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1 min read

Carol Kidd – All My Tomorrows (1985) [Reissue 2004] [SACD / Linn Records – AKD 210]

Carol Kidd - All My Tomorrows (1985) [Reissue 2004]

Title: Carol Kidd – All My Tomorrows (1985) [Reissue 2004]
Genre: Jazz
Format: MCH SACD ISO + Hi-Res FLAC

For over a decade, jazz singer Carol Kidd has managed to consistently pull in accolades, “Best Awards,” and honors from an arena consisting of all-time greats such as Peggy Lee, Ella Fitzgerald, and Sarah Vaughan. Carol Kidd proves her star potential on her second album, “All My Tomorrows”. Now re-mastered for Super Audio CD, this is one of the most popular titles recorded on Linn Records. Carol Kidd and her quartet explore and interpret some classic material from the Great American Songbook.

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1 min read

Carly Simon – No Secrets (1972) [MFSL 2016] [SACD / Mobile Fidelity Sound Lab – UDSACD 2167]

Carly Simon - No Secrets (1972) [MFSL 2016]

Title: Carly Simon – No Secrets (1972) [MFSL 2016]
Genre: Pop, Rock
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Carly Simon’s best album, No Secrets was also her commercial breakthrough, topping the charts and going gold, along with its leadoff single, “You’re So Vain.” That song set the album’s saucy tone, with its air of sexually frank autobiography (“You had me several years ago/When I was still quite naïve”) and its reflections on the jet-set lifestyle. But Simon’s honesty meant that her lyrical knife was double-edged; now that she felt she had found true love (“The Right Thing to Do,” another Top Ten hit, was her celebration of her relationship with James Taylor), she was as willing to acknowledge her own mistakes and regrets as she was to point fingers. But it wasn’t only Simon’s forthrightness that made the album work; it was also Richard Perry’s simple, elegant pop/rock production, which gave Simon’s music a buoyancy it previously lacked. And Perry paid particular attention to Simon’s vocals in a way that made her more engaging (or at least less grating) to listen to.

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1 min read

Carly Simon – Hotcakes (1974) [MFSL 2016] [SACD / Mobile Fidelity Sound Lab – UDSACD 2168]

Carly Simon - Hotcakes (1974) [MFSL 2016]

Title: Carly Simon – Hotcakes (1974) [MFSL 2016]
Genre: Pop, Rock
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

A glowing, pregnant Carly Simon smiles out from the cover of Hotcakes, one of her biggest selling albums, which featured the gold single “Mockingbird,” a duet with her husband James Taylor that effectively remade the old Inez and Charlie Foxx hit and bested it on the charts. The album also included another hit, “Haven’t Got Time For The Pain,” as well as “Misfit,” in which a wife implores her carousing husband to come home, and “Think I’m Gonna Have A Baby,” which celebrated the joys of same. With such tracks, Hotcakes was an autobiographical concept album that defined domestic bliss at a time when Simon’s listeners also were catching their breath and turning inward.

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1 min read

Carly Simon – Carly Simon (1971) [MSFL 2015] [SACD / Mobile Fidelity Sound Lab – UDSACD 2165]

Carly Simon - Carly Simon (1971) [MSFL 2015]

Title: Carly Simon – Carly Simon (1971) [MSFL 2015]
Genre: Pop, Rock
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

“That’s the Way I’ve Always Heard It Should Be,” the leadoff track of Carly Simon’s first album and a Top Ten hit, in which the singer expresses reservations about getting married, benefited from a sense of role reversal – it’s such a guy sentiment, but sung by a woman in 1971, it came across as a feminist statement, consistent with the overall disillusionment so prevalent then. Nothing on the rest of the album was quite as pointed, though the other songs maintained the same ambivalence toward romance. The one other standout track, “Dan, My Fling,” in which the singer tries to rekindle a relationship with a man she has discarded, was, like the single, co-written by Jacob Brackman (in this case, with Fred Gardner, not Simon), suggesting that the real creative talent here was him and not her (especially since the writing credits also featured another four names). And since Simon, with her plaintive, proper, and relatively inexpressive voice, was such an unremarkable performer, her debut seemed less auspicious than the attention it attracted might have implied.

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2 min read