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SACD

Joe McQueen & Friends – Ten At 86 (2006) [SACD / IsoMike – 55802 ]

adminMarch 12, 2026 34 Views

Title: Joe McQueen & Friends – Ten At 86 (2006)
Genre: Jazz
Format: MCH SACD ISO + DSF DSD64 + Hi-Res FLAC

Joe McQueen has been a professional jazz musician for over seventy years, turning ‘Pro’ at the tender age of sixteen. He was introduced to the saxophone a few years earlier by his cousin, Herschel Evans, who played in Count Basie’s band in the mid-1930s. Born in 1919 in Dallas, Texas, Joe was raised in Ardmore, Oklahoma, where he played tuba and then saxophone in the Ardmore High School band. Fast forward to 1945, when Joe and his wife, Thelma, were on the road as he was touring in a jazz band. While en-route from Las Vegas, the bandleader gambled away the troupe’s earnings, stranding them in Ogden, Utah. Joe and Thelma decided to stay in Ogden and McQueen reformed the band there. This turned out to be a serendipitous move because after WWII, Ogden, a major stop on the railroad between San Francisco and Kansas City, had become a hotspot for jazz music. Since settling in Ogden, McQueen has performed there with such jazz luminaries as Charlie Parker, Chet Baker (a fellow Oklahoman), Paul Gonzalez, Lester Young, Count Basie, Duke Ellington and Dizzy Gillespie. Joe continued to tour in the region, playing in Idaho Falls with Hoagy Carmichael.

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2 min read

SACD

Joel Frahm Quartet – Caminhos Cruzados (2010) [Japan 2016] [SACD / Venus Records – VHJD-35]

adminMarch 12, 2026 38 Views

Title: Joel Frahm Quartet – Caminhos Cruzados (2010) [Japan 2016]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Joel Frahm is New York-based saxophonist and recording artist. This album features “Smoke Gets In Your Eyes”, “Early Autumn” and other love songs by Antonio Carlos Jobim and Bossa Nova’s famous songs romantically and sentimentally tells jazz’s attractive tenor saxophone. Wisconsin-born Joel Frahm practiced piano and bassoon in his youth, but in grade 8, chose tenor saxophone as his principal horn. He went on to play in the high school jazz band, later publically performing with quartet formed by one of those bandmates. He formally studied music in New York. Pianist Cyrus Chestnut began playing at his church at age 6 and by age 9 was studying classical music at the Peabody Institute. Since age 30, he has spawned several albums and has performed alongside the likes of Vanessa Williams and Brian McKnight. Bassist Dezron Douglas, born in Connecticut, didn’t start out as a jazz fan, relishing in the lyrics and tunes of R&B stars, including Stevie Wonder and Diana Ross. It was in college that he decided to harness his loyalty to rhythm and blues and combine it with the smooth moves of jazz to create a style all his own. He is now a music teacher. Rio de Janeiro-born Drummer Duduka Da Fonseca has been playing drums since he was 12, and by age 15 was performing with some of the most experienced musicians in Brazil. In 1975, Mr. Da Fonseca moved to New York where his career flourished playing in various ensembles and conducting workshops in Japan and Europe. He is also the author of the instructional book and tape set Brazilian Rhythms for Drumset.

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2 min read

SACD

Joe Jackson – Body And Soul (1984) [Reissue 2020] [SACD / Intervention Records – IR-SCD4]

adminMarch 12, 2026 27 Views

Title: Joe Jackson – Body And Soul (1984) [Reissue 2020]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Body and Soul is an album by Joe Jackson, released in March 1984. The album was Jackson’s seventh studio album, and his first fully digital project. Body and Soul is a landmark recording as well, being an early digital recording captured on a 32-track 3M system in New York City’s Masonic Lodge. The vast reverberant space of the hall is beautifully drawn, and yet Joe and the band sound positively explosive. Body and Soul is remastered to DSD by Kevin Gray at Cohearent Audio. The results are amazing! Body and Soul has never sounded so fullbodied. In addition to the wonderful ambience of the Masonic Lodge, the imaging is more three-dimensional and holographic than ever.

Body and Soul has Joe Jackson playing both hot- and cool-styled jazz songs, getting some worthy help from producer David Kershenbaum, who also lent Jackson a hand on his I’m the Man album. This is Jackson at his smoothest, from the fragility of “Not Here Not Now” to the earnestness of “Be My Number Two.” While both this song and “Happy Ending” charted fairly low in the U.K., the explosive “You Can’t Get What You Want” went to number 15 in the United States, thanks to the brilliant horn work and colorful jazz-pop mingling of all the other instruments, not to mention Jackson’s suave singing. But the album’s energy isn’t spent entirely on one track. “Cha Cha Loco,” “Losaida,” and the cheery yet stylish “Go for It” carry Jackson’s snazzy persona and enthusiasm even further, laying claim to how comfortable he really is at playing this style of music. Sometimes sounding preserved and entertaining in the same light, Body and Soul uses some of the character of 1982’s Night and Day album, but instead of splitting up the music into mild jazz, pop, and modern R&B, he decided to tackle one of the genres wholeheartedly, and in doing so he came up with a truly impeccable release.

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2 min read

SACD

Joe Chambers – Urban Grooves (2002) [Reissue 2005] [SACD / Eighty-Eight’s – VRCL 18803]

adminMarch 12, 2026 25 Views

Title: Joe Chambers – Urban Grooves (2002) [Reissue 2005]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Chambers’ latest release, Urban Groove, is about as good as it gets. An energizing set of standards and originals performed with the likes of Eric Reed, Gary Bartz, and Rufus Reid, Chambers is in top form, showing off his amazing technique not only on drums, but also vibes and marimba. Still, Chambers is careful not to pull too much attention away from his sidemen. Gary Bartz is electrifying throughout, and Eric Reed shines on piano.

The liner notes for Urban Grooves describe Joe Chambers as “a good jazz drummer.” Actually, he’s more than good; he’s an excellent jazz drummer who also knows his way around the vibraphone and the marimba. Not every album that Chambers has appeared on is great, but his skills as a musician certainly are. One thing Chambers isn’t, however, is a terribly forceful drummer; he knows when to hold back. Chambers doesn’t have quite as gentle a touch as Shelly Manne, but he isn’t as aggressive as Art Blakey or Art Taylor either. Recorded in March 2002 – when Chambers was three months away from his 60th birthday – Urban Grooves underscores his intuitive, insightful nature. This acoustic-oriented post-bop date finds Chambers leading an all-star quintet that boasts Gary Bartz on alto and soprano sax, Eric Reed on piano, Rufus Reid on bass, and Bobby Sanabria on percussion – and Chambers, true to form, knows exactly what to play when one of his colleagues takes a solo. When Bartz or Reed is stretching out, Chambers is never the least bit intrusive – he’s always sympathetic, encouraging, and helpful rather than heavy-handed. In fact, Urban Grooves is the opposite of heavy-handed; the performances tend to be on the introspective side whether the group is embracing “Sid’s Ahead” (one of Miles Davis’ lesser-known compositions), Marcus Miller’s “Portia,” or Chambers’ own material. The CD’s least introspective track is “Afreeka,” an exuberant Chambers piece that incorporates Caribbean, African, and Latin elements. But most of the time, a reflective mood defines Urban Grooves, which falls short of exceptional but is a pleasing, solid demonstration of Chambers’ skills as both a drummer and a vibist/marimba player.

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2 min read

SACD

Joe Cocker – With A Little Help From My Friends (1969) [Audio Fidelity 2015] [SACD / Audio Fidelity – AFZ 209]

adminMarch 12, 2026 26 Views

Title: Joe Cocker – With A Little Help From My Friends (1969) [Audio Fidelity 2015]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Joe Cocker’s debut album holds up extraordinarily well across four decades, the singer’s performance bolstered by some very sharp playing, not only by his established sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, all sitting in. It’s Cocker’s voice, a soulful rasp of an instrument backed up by Madeline Bell, Sunny Weetman and Rossetta Hightower that carries this album and makes “Change in Louise,” “Feeling Alright,” “Just Like a Woman,” “I Shall Be Released,” and even “Bye Bye Blackbird” into profound listening experiences. But the surprises in the arrangements, tempo, and approaches taken help make this an exceptional album. Tracks like “Just Like a Woman,” with its soaring gospel organ above a lean textured acoustic and light electric accompaniment, and the guitar-dominated rendition of “Don’t Let Me Be Misunderstood” – the formal debut of the Grease Band on record – all help make this an exceptional listening experience. The 1999 A&M reissue not only includes new notes and audiophile-quality sound, but also a pair of bonus tracks, the previously unanthologized B-sides “The New Age of Lily” and “Something Coming On,” deserved better than the obscurity in which they previously dwelt.

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2 min read

SACD

Joe Cocker – Joe Cocker (1969) [Audio Fidelity 2017] [SACD / Audio Fidelity – AFZ 249]

adminMarch 12, 2026 29 Views

Title: Joe Cocker – Joe Cocker (1969) [Audio Fidelity 2017]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Joe Cocker’s first three A&M albums form the bedrock of a career that spans over three decades. While Cocker certainly wasn’t always in top form during this stretch – thanks to alcohol problems and questionable comeback moves in the ’80s and ’90s – his early records did inform the classic pub rock sound later credited to proto-punk figures like Graham Parker and Brinsley Schwarz. On those early records, Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set. Russell’s sophisticated swamp blues aesthetic is felt directly with versions of his gospel ballad “Hello, Little Friend” and Beatles-inspired bit of New Orleans pop – and one of Cocker’s biggest hits – “Delta Lady.” Following up on the huge success of an earlier cover of “With a Little Help From My Friends,” Cocker mines more Beatles gold with very respectable renditions of “She Came in Through the Bathroom Window” and “Something.” And rounding out this impressive set are equally astute takes on Dylan’s “Dear Landlord,” Leonard Cohen’s “Bird on the Wire,” and John Sebastian’s “Darling Be Home Soon.” Throughout, Cocker gets superb support from his regular backing group of the time, the Grease Band. A fine introduction to the singer’s classic, late-’60s and early-’70s period.

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2 min read

SACD

Joe Henderson – Page One (1963) [APO Remaster 2009] [SACD / Analogue Productions – CBNJ 84140 SA]

adminMarch 12, 2026 26 Views

Title: Joe Henderson – Page One (1963) [APO Remaster 2009]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

The title Page One is fitting for this disc, as it marks the beginning of the first chapter in the long career of tenor man Joe Henderson. And what a beginning it is; no less than Kenny Dorham, McCoy Tyner, Butch Warren, and Pete La Roca join the saxophonist for a stunning set that includes “Blue Bossa” and “Recorda Me,” two works that would be forever associated with Henderson. Both are bossa novas that offer a hip alternative to the easy listening Brazilian trend that would become popular with the masses. Henderson and Dorham make an ideal pair on these and other choice cuts like the blistering “Homestretch” and the engaging swinger “Jinrikisha.” These both show the already mature compositional prowess that would become Henderson’s trademark throughout his legendary career. The final blues number, “Out of the Night,” features powerful work by the leader that only hints of things to come in subsequent chapters.

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1 min read

SACD

Joe Henderson – Lush Life: The Music Of Billy Strayhorn (1992) [Reissue 2004] [SACD / Verve Records – B0001381-36]

adminMarch 12, 2026 30 Views

Title: Joe Henderson – Lush Life: The Music Of Billy Strayhorn (1992) [Reissue 2004]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

With this release, the executives at Verve and their marketing staff proved that yes, indeed, jazz can sell. The veteran tenor Joe Henderson has had a distinctive sound and style of his own ever since he first entered the jazz major leagues yet he has spent long periods in relative obscurity before reaching his current status as a jazz superstar. As for the music on his “comeback” disc, it does deserve all of the hype. Henderson performs ten of Billy Strayhorn’s most enduring compositions in a variety of settings ranging from a full quintet with trumpeter Wynton Marsalis and duets with pianist Stephen Scott, bassist Christian McBride, and drummer Gregory Hutchinson to an unaccompanied solo exploration of “Lush Life.” This memorable outing succeeded both artistically and commercially and is highly recommended.

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1 min read

SACD

Joe Beck Trio – Strangers In The Night (2000) [Japan 2017] [SACD / Venus Records – VHGD-251]

adminMarch 4, 2026 67 Views

Title: Joe Beck Trio – Strangers In The Night (2000) [Japan 2017]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Joe Beck began his career as a highly sought-after studio guitarist in the early 70s. His clean jazz playing on electric guitar was his hallmark. His discography is well-worthy searching for. He was well-respected and played with artists such as John Abercrombie, Jimmy Bruno, Gill Evans, Don Sebesky, Bobby TImmons, and Paul Simon. This wonderful recording was made for Japanese Venus label, and dedicated to Frank Sinatra.

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1 min read

SACD

Joe Beck Trio – Girl Talk (2003) [Japan 2017] [SACD / Venus Records – VHGD-213]

adminMarch 4, 2026 63 Views

Title: Joe Beck Trio – Girl Talk (2003) [Japan 2017]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Joe Beck was an American jazz guitarist who played in a variety of jazz styles, including jazz fusion, post bop, mainstream jazz and soul jazz. On this album Joe Beck joined with Joey DeFrancesco and Idris Muhammad. As result the trio plays subtle, tastefully rendered versions of jazz standards. Beck’s guitar takes inspiration from the Jim Hall and Pat Metheny, featuring gentle bent notes, muted strumming, wandering melodic lines, and a smooth, rounded tone.

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1 min read