Elton John – Goodbye Yellow Brick Road (1973) [30th Anniversary Edition 2003] (2xSACD) [SACD / The Rocket Record Company – B0001570-36]

Elton John - Goodbye Yellow Brick Road (1973) [30th Anniversary Edition 2003] (2xSACD)

Title: Elton John – Goodbye Yellow Brick Road (1973) [30th Anniversary Edition 2003] (2xSACD)
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

Goodbye Yellow Brick Road is the seventh studio album by the British singer-songwriter Elton John. Released in 1973, it has come to be regarded as one of his best and most popular albums. In 2003, the album was inducted into the Grammy Hall of Fame. The album was ranked No. 91 on Rolling Stone magazine’s list of the 500 greatest albums of all time, and No. 59 in Channel 4’s 2009 list of 100 Greatest Albums. The album has sold 31 million copies.

Goodbye Yellow Brick Road was where Elton John’s personality began to gather more attention than his music, as it topped the American charts for eight straight weeks. In many ways, the double album was a recap of all the styles and sounds that made John a star. Goodbye Yellow Brick Road is all over the map, beginning with the prog rock epic “Funeral for a Friend (Love Lies Bleeding)” and immediately careening into the balladry of “Candle in the Wind.” For the rest of the album, John leaps between popcraft (“Bennie and the Jets”), ballads (“Goodbye Yellow Brick Road”), hard rock (“Saturday Night’s Alright for Fighting”), novelties (“Jamaica Jerk-Off”), Bernie Taupin’s literary pretensions (“The Ballad of Danny Bailey”), and everything in between. Though its diversity is impressive, the album doesn’t hold together very well. Even so, its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.

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2 min read

Elton John – Elton John (1970) [Reissue 2004] [SACD / Island Records – B0003607-36]

Elton John - Elton John (1970) [Reissue 2004]

Title: Elton John – Elton John (1970) [Reissue 2004]
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

Elton John is the second album by English singer/songwriter Elton John. However, because it was his first album released in America, many people there assumed it was his first album, as Empty Sky was not released in the US until 1975. Elton John includes his breakthrough hit, “Your Song”, and helped to establish his career during what was considered the “singer-songwriter” era of popular music. In the US, it was certified gold in February 1971 by the RIAA. In the same year, it was nominated for the Grammy Award for Album of the Year. In 2003, the album was ranked #468 on Rolling Stone magazine’s list of the 500 greatest albums of all time. On 27 November 2012, it was inducted into the Grammy Hall of Fame as an album cited as exhibiting “qualitative or historical significance”.

Empty Sky was followed by Elton John, a more focused and realized record that deservedly became his first hit. John and Bernie Taupin’s songwriting had become more immediate and successful; in particular, John’s music had become sharper and more diverse, rescuing Taupin’s frequently nebulous lyrics. “Take Me to the Pilot” might not make much sense lyrically, but John had the good sense to ground its willfully cryptic words with a catchy blues-based melody. Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster’s grandiose string arrangements. Buckmaster’s orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy. Instead, they fit the ambitions of John and Taupin, as the instant standard “Your Song” illustrates. Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records.

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2 min read

Elton John – Captain Fantastic And The Brown Dirt Cowboy (1975) [Reissue 2004] [SACD / Island Records – B0003606-36]

Elton John - Captain Fantastic And The Brown Dirt Cowboy (1975) [Reissue 2004]

Title: Elton John – Captain Fantastic And The Brown Dirt Cowboy (1975) [Reissue 2004]
Genre: Rock
Format: MCH SACD ISO + Hi-Res FLAC

Captain Fantastic and the Brown Dirt Cowboy is the ninth studio album by British singer/musician Elton John. It debuted at number 1 on the U.S. Pop Albums chart, the first album ever to do so, and stayed there for seven weeks. It was certified gold in May 1975 and was certified platinum and 3x platinum in March 1993 by the RIAA. In Canada, it also debuted at number 1 on the RPM national Top Albums chart and only broke a run of what would have been fifteen consecutive weeks at the top by falling one position to number 2 in the ninth week. On the UK Albums Chart, it peaked at # 2. In 2003, the album was ranked number 158 on Rolling Stone magazine’s list of the 500 greatest albums of all time. This was the last album until Too Low For Zero that Elton John and his classic band would play together.

Sitting atop the charts in 1975, Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It’s no coincidence that it’s their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin’s inscrutable wordplay is evocative, even moving. What’s best about the record is that it works best of a piece — although it entered the charts at number one, this only had one huge hit in “Someone Saved My Life Tonight,” which sounds even better here, since it tidily fits into the musical and lyrical themes. And although the musical skill on display here is dazzling, as it bounces between country and hard rock within the same song, this is certainly a grower. The album needs time to reveal its treasures, but once it does, it rivals Tumbleweed in terms of sheer consistency and eclipses it in scope, capturing John and Taupin at a pinnacle. They collapsed in hubris and excess not long afterward — Rock of the Westies, which followed just months later is as scattered as this is focused — but this remains a testament to the strengths of their creative partnership.

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2 min read

Elton John – Goodbye Yellow Brick Road (1973) [Japanese Limited SHM-SACD 2010] [SACD / Mercury – UIGY-9052]

Elton John - Goodbye Yellow Brick Road (1973) [Japanese Limited SHM-SACD 2010]

Title: Elton John – Goodbye Yellow Brick Road (1973) [Japanese Limited SHM-SACD 2010]
Genre: Rock
Format: SACD ISO

Goodbye Yellow Brick Road is the seventh studio album by the British singer-songwriter Elton John. Released in 1973, it has come to be regarded as one of his best and most popular albums. In 2003, the album was inducted into the Grammy Hall of Fame. The album was ranked No. 91 on Rolling Stone magazine’s list of the 500 greatest albums of all time, and No. 59 in Channel 4’s 2009 list of 100 Greatest Albums.

Goodbye Yellow Brick Road was where Elton John’s personality began to gather more attention than his music, as it topped the American charts for eight straight weeks. In many ways, the double album was a recap of all the styles and sounds that made John a star. Goodbye Yellow Brick Road is all over the map, beginning with the prog rock epic “Funeral for a Friend (Love Lies Bleeding)” and immediately careening into the balladry of “Candle in the Wind.” For the rest of the album, John leaps between popcraft (“Bennie and the Jets”), ballads (“Goodbye Yellow Brick Road”), hard rock (“Saturday Night’s Alright for Fighting”), novelties (“Jamaica Jerk-Off”), Bernie Taupin’s literary pretensions (“The Ballad of Danny Bailey”), and everything in between. Though its diversity is impressive, the album doesn’t hold together very well. Even so, its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.

(more…)

2 min read

Elton John – Elton John (1970) [Japanese Limited SHM-SACD 2011] [SACD / Mercury – UIGY-9071]

Elton John - Elton John (1970) [Japanese Limited SHM-SACD 2011]

Title: Elton John – Elton John (1970) [Japanese Limited SHM-SACD 2011]
Genre: Rock
Format: SACD ISO + Hi-Res FLAC

Elton John is the second album by English singer/songwriter Elton John. However, because it was his first album released in America, many people there assumed it was his first album, as “Empty Sky” was not released in the US until 1975. Elton John includes his breakthrough hit, “Your Song”, and helped to establish his career during what was considered the “singer-songwriter” era of popular music.

Empty Sky was followed by Elton John, a more focused and realized record that deservedly became his first hit. John and Bernie Taupin’s songwriting had become more immediate and successful; in particular, John’s music had become sharper and more diverse, rescuing Taupin’s frequently nebulous lyrics. “Take Me to the Pilot” might not make much sense lyrically, but John had the good sense to ground its willfully cryptic words with a catchy blues-based melody. Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster’s grandiose string arrangements. Buckmaster’s orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy. Instead, they fit the ambitions of John and Taupin, as the instant standard “Your Song” illustrates. Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records.

(more…)

2 min read

Elmar Oliveira, Los Angeles Chamber Orchestra, Gerard Schwarz – Vivaldi: The Four Seasons (1980) [Reissue 2005] [SACD / Top Music International Ltd. – TM-SACD 8003.2]

Elmar Oliveira, Los Angeles Chamber Orchestra, Gerard Schwarz - Vivaldi: The Four Seasons (1980) [Reissue 2005]

Title: Elmar Oliveira, Los Angeles Chamber Orchestra, Gerard Schwarz – Vivaldi: The Four Seasons (1980) [Reissue 2005]
Genre: Classical
Format: SACD ISO + Hi-Res FLAC

Violinist Elmar Oliveira joins the Los Angeles Chamber Orchestra in performing Vivaldi’s The Four Seasons as conducted by Gerard Schwarz. Recorded in May 1980 in California. Antonio Vivaldi cast “The Four Seasons” in the form of four concertos for solo violin and string orchestra. Concertos are designed to feature an instrument which not only enjoys an especially prominent role but plays technically brilliant, or virtuosic, passages. In addition to juxtaposing the sound of the solo violin to the full ensemble, Vivaldi occasionally added a few instruments with the solo violin to create the musical textures of chamber music. Each of the concertos that comprise “The Four Seasons” follows a three-movement plan that Vivaldi helped to establish as the standard concerto form.

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1 min read

Ella Fitzgerald – Sings The Cole Porter Song Book (1956) [Reissue 2016] [SACD / Analog Spark – AS00008]

Ella Fitzgerald - Sings The Cole Porter Song Book (1956) [Reissue 2016]

Title: Ella Fitzgerald – Sings The Cole Porter Song Book (1956) [Reissue 2016]
Genre: Jazz
Format: SACD ISO + DSF DSD64 + Hi-Res FLAC

Long considered a jewel in Verve Records’ very impressive crown, Fitzgerald’s songbook collections of various composers–a series that was started by the success of this set–are all wonderful, but her natural wit and intelligence was at its most perfect with Cole Porter’s erudite, urbane songs. While not as scat-oriented as her small group outings, these Porter sets offer her most realized pop performances. Also, the gold remastering does a fine job of bringing out the nuances in the arrangements, making this a treasure for the serious collector and the casual listener alike. A true American music gem.

Ella Fitzgerald had the ability to personalize some of the most recognizable material from the foremost songwriters in American popular music history. In this instance, the combination of Cole Porter’s words and Fitzgerald’s interpretation of them created one of the most sought after sessions in vocal history – embraced by jazz and pop fans alike, transcending boundaries often associated with those genres. Originally released in 1956 on the Verve label, such standards as “Night and Day,” “I Love Paris,” “What Is This Thing Called Love,” “I’ve Got You Under My Skin,” “You’re the Top,” and “Love for Sale” secured one of Ella Fitzgerald’s crowning moments. The success of these early Porter (and previous Gershwin) sessions brought about numerous interpretations of other songbooks throughout the next several years including those of Rodgers and Hart, Duke Ellington, Johnny Mercer, Harold Arlen, and Irving Berlin.

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2 min read

Ella Fitzgerald & Louis Armstrong – Ella And Louis Again (1957) [Analogue Productions 2012] [SACD / Analogue Productions – CVRJ 4017 SA]

Ella Fitzgerald & Louis Armstrong - Ella And Louis Again (1957) [Analogue Productions 2012]

Title: Ella Fitzgerald & Louis Armstrong – Ella And Louis Again (1957) [Analogue Productions 2012]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Ella and Louis Again is a 1957 studio album by Ella Fitzgerald and Louis Armstrong. It is the “sequel” to their 1956 album, Ella and Louis, in contrast to their previous collaboration Ella and Louis, this album does not only feature duets. Mono recordings. Stylistically, singer Fitzgerald and trumpeter/singer Armstrong had very different histories; he started out in Dixieland before branching out into classic jazz and swing, whereas Fitzgerald started out as a swing-oriented big-band vocalist before becoming an expert bebopper. But the two of them have no problem finding common ground on Ella and Louis Again, which is primarily a collection of vocal duets (with the backing of a solid rhythm section led by pianist Oscar Peterson). One could nit-pick about the fact that Satchmo doesn’t take more trumpet solos, but the artists have such a strong rapport as vocalists that the trumpet shortage is only a minor point.

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1 min read

Ella Fitzgerald and Louis Armstrong – Autumn In New York (2008) [SACD / Top Music International Ltd. – UD-SACD8933.2]

Ella Fitzgerald and Louis Armstrong - Autumn In New York (2008)

Title: Ella Fitzgerald and Louis Armstrong – Autumn In New York (2008)
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

I purchased this from ebay quiet a few weeks ago so it has been well played. It opens with probably the best version of ‘Summer Time’ I have heard. Superb orchestration with Louis trumpet sets the scene and then Ella’s stunning vocals just blow you away. PLAY IT LOUD!. The sound is just fantastic. There is a bit more than usual information about the technicals – The source 32bit/ 192Khz, the mastering equipment, even the cable and preamp. So TopMusic are obviously very proud of what and how they have acheived. There are in total 16 tracks, seven of which also appear on the superb Verve mono JSACD Ella & Louis. So how do they compare? Verve wins. The voices are just that bit clearer as is the instrumentation hence the 4.5 stars. But apart from that would I have bought it had I known? Yes. It is still a superb album. A must for Ella and Louis fans. – customer review at sa-cd.net

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1 min read

Ella Fitzgerald – Like Someone In Love (1957) [Analogue Productions 2011] [SACD / Analogue Productions – CVRJ 6000 SA]

Ella Fitzgerald - Like Someone In Love (1957) [Analogue Productions 2011]

Title: Ella Fitzgerald – Like Someone In Love (1957) [Analogue Productions 2011]
Genre: Jazz
Format: SACD ISO + Hi-Res FLAC

Recorded around the same time as her groundbreaking work with Louis Armstrong, this album is representative of Fitzgerald’s best vocal work. Recorded over a two-day period in October, 1957, Fitzgerald sings familiar ballads on this release accompanied by lush orchestral arrangements courtesy of Frank DeVol, with tenor sax legend Stan Getz contributing to four songs. Ella Fitzgerald was accompanied by an orchestra arranged by Frank DeVol for this fine studio session. Most of the songs are veteran standards, Stan Getz’s warm tenor helps out on four tunes, and – although this is not an essential release – her voice was so strong and appealing during this era that all of her recordings from the mid- to late ’50s are enjoyable and easily recommended.

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1 min read